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seated in the studio with me and Guy, looking at us and smiling at us, sometimes
    also making fun of us.

    BiTS:  You mentioned earlier on Fabrizio, Charlie Musselwhite, but who are your

    favourite harmonica players? Who are the artists that you admire most as harp
    players?

    FP:  Oh, there are a lot, and I change every day. Of course, Charlie, Paul Butterfield,

    Sonny Boy Williamson 1st and 2ⁿd. James Cotton was a huge influence to me, but
    also Noah Lewis or Big Walter Horton and Little Walter too, of course. But also
    sometimes I hear some unknown harmonica player, and I say, oh, I like it. So they

                                                                    change almost every day. One day
                                                                    my favourite is Sonny Boy [No 2].
                                                                    The other day it is Sonny Terry.


                                                                    FP:  Actually, I forgot to say that also
                                                                    Paul Jones and The Blues Band were
                                                                    a huge influence. I remember that

                                                                    album  called  “Ready” [chuckles].  I
                                                                    had to buy a second copy because
                                                                    the first one was worn out.


                                                                    BiTS:  Fabrizio, tell me something
                                                                    about “Healing Blues”. It's been out
                                                                    for a year now, but I gather that it's

                                                                    going quite well.

                                                                    FP:    Yeah.  Yeah.  Yeah,  yeah,  yeah,
                                                                    yeah. The album is an ideal, a model

                                                                    following    “Basement  Blues”  that
                                                                    continues  my  research  in  my
    archives, and also, I added some new songs recorded for the occasion. So I discovered

    that I have a lot of material live with Guy and some radio recordings.

    Then I met a couple of years ago, Sharon (Shar) White, who is the backup singer for
    Eric Clapton. So I decide to put things together. I had the strong idea that blues is

    healing music from the very beginning. It took me 20 or 26,  albums to get here,
    because I always wanted to call an album “Blues Is Healing”. But then, during the

    production,  the title changed. I really think it's true that blues is a miracle if you
    think about it, and blues is healing, is a medicine to sooth your soul. Blues is special
    music and it's a powerful medicine to heal all sadness, so we really need it and
    probably now more than ever.


    BiTS:  A lady is reported to have said to Buddy Guy once that she didn't listen to
    blues because it was all sad music and he invited her to go to a show of his and he
    played something or other. I don’t know what he played, but after it he spoke to her

    again and she was convinced that it is not just sad music. A lot of people are put off
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