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bigger division, at least musically in before and after. I mean, there's the rock and roll era with
    Elvis. That's certainly a big one, but maybe that one in 62/64 was even bigger. And then, of course,
    in culture around 88 or 89, with rap music really coming into the mainstream, there was another
    big one that resonates today as well.

    BiTS:  So tell me what you're working on at the moment, Ian.

    IB:  Well, we're working on a lot of stuff. We are very superstitious, I would say about talking
    about what we've done until it's done, meaning until it's out and done. But we've been very
    fortunate to do what we do and to continue to do what we do, and we felt a certain urgency. Our
    daughter is 6 years old, and we felt a certain urgency to record a lot before she started school.
                                                                          So  somehow  that,  with  the  COVID
                                                                          lockdowns ended up working in our

                                                                          favour,  where  things  kind  of  never
                                                                          stopped in terms of releases. And as
                                                                          soon as COVID reopened, we felt an
                                                                          urgency  to  go  out  there  and  do  it
                                                                          because  we  didn't  know  how  long
                                                                          this is going to last. So we went out
                                                                          and did quite a few recordings and in
                                                                          Rwanda  and  in  Botswana,  which
                                                                          have  come  out  recently  and
                                                                          Azerbaijan, where there was all the
                                                                          additional  hurdles  and  expense  of
                                                                          having to be tested, sometimes four
                                                                          or five times for a single trip – before
                                                                          you’d go, when you get there, after
                                                                          you've been there a few days, before
                                                                          you leave, when you get back all that
                                                                          stuff.  But  you  know,  we  felt  an
                                                                          urgency. And so we've been fortunate
                                                                          enough to continue, but we just got
                                                                          back from WOMAD and the WOMAD
    festival with Saramaccan Sound (Suriname), which were the first artists there ever at the festival
    in 41 years from Suriname, and they play incredible folk music. I always compare them to if Merle
    Haggard had been raised in the Amazon versus Bakersfield. And I really believe it's that. It's the

    other American folk music, in this case, South American and roots music. And you know, there
    is a great record, a second record, a follow-up record by the Amazing United Kingdom poet
    Raymond Antrobus, who's a Ted Hughes award-winning Knighted poet and one of the greatest
    poets of his generation. And so a new album is coming out, “An Investigator Of Missing Sounds”.
    That's coming out this month, later this month. Saramaccan Sound (Suriname)’s full album, their
    single came out in July, but their full album will come out early next year. I believe in February.

    BiTS:  That's wonderful. Thank you very much indeed for that. Just one more question about the
    experience of recording in Parchman. Is there any stuff that you have not released yet which is
    releasable?

    IB:    There  is.  I  mean,  even  though  there  were  the  limits  in  terms  of  time  in  particular  and
    equipment, there is additional material and because we did record almost the entire time, even
    though it was a short amount of time. For me, one of the signs, as we talked about earlier, that
    something is really powerful is when you feel it, you know, in your gut, in your heart on your
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