Page 44 - BiTS_04_APRIL_2022
P. 44

ful, solo rendition of ‘Groundhog Blues’ – he certainly dispels any doubts.



    Michael is perhaps best-known for his six year stint with Magic Slim & The Teardrops and for his

    work with Mississippi Heat, but he has led his own band around the Windy City and worked with
    many  of  Chicago’s  blues  acts.  On  this  set  he  is  backed  by  a  fine,  subtle  rhythm  section  and  his

    interplay  with  them  and  the  audience  is  natural  and  engaging.  He  is  obviously  an  assured  and
    confident performer and his material draws heavily on the blues club scene, as he conjures up the

    likes of Jimmy Reed, Muddy Waters, Magic Slim and Howling Wolf alongside his own originals. For
    the latter, maybe try ‘Synchro Boogie’, another John Lee Hooker styled tour-de-force.




    My only criticism of this set would be that the writer’s credit for ‘Little Voice’ should be to A.C. Reed,
    not Jimmy Reed. A minor point, maybe. Musically, this is really an excellent set.



    Norman Darwen



                                          Mike Zito – Blues for the Southside—Gulf Coast


                                          Mike Zito is one of the most important figures in the modern blues

                                          scene, a singer and guitarist who makes some very fine records and

                                          also co-runs the Gulf Coast label. If I have a criticism, it is that he
                                          occasionally seems to hold back a little, but there are no worries

                                          on  that  score  with  this  double  CD  release,  recorded  live  in  his
                                          native south Saint Louis, MO at the end of November 2021.



                                          There might be a clue in that date. It comes as pandemic restric-

    tions were lifting and certainly there is an audible sense of release, of enjoyment, of playing for the
    sheer hell of it and both artist and crowd react positively. Mike plays and sings with energy and fire,

    whether he is playing a fine Chicago club blues styled number as on the instrumental title track or
    saying  “goodnight”  with  a  tear  ‘em  up  finale  of  Chuck’s  ‘Johnny  B.  Goode’  (a  number  of  course

    referencing Mike’s own recent tribute album to Chuck).



    Along the way he draws in a few guest musicians, most notably Eric Gales – a very hot name at the
    moment  and  on  Hendrix’s  ‘Voodoo  Chile’  he  shows  just  why.  Home-boy  Tony  Campanella  and

    Milwaukee’s Dave Kalz add to the fun too. And this release is certainly fun. It is also some of the best

    slightly rock-tinged modern blues around at the moment.



    Norman Darwen
    (www.gulfcoastrecords.net)
   39   40   41   42   43   44   45   46   47   48   49