Page 51 - BiTS_04_APRIL_2022
P. 51

Curry Band. The pace slows somewhat with the horn driven mellow roller ‘Takes One To Know

    One', from Teresa James & The Rhythm Tramps.



    A very tasty collection!


    Brian Harman.





                                          Kathy Murray & The Kilowatts—Fully Charged—Blue Heart
                                          Records BHR1023



                                          Kathy Murray on lead vocals, with her other half, Bill Jones on
                                          guitar, have together employed an array of artists for this, their

                                          5th album. The eleven original numbers and three covers were
                                          recorded at The Single Pitch Studios ATX with Kathy and Bill

                                          sharing production duties with Jeff Botta. The album rolls out
                                          with the invitingly Texas tramping double shuffle that is ‘Expense
                                          Of Love’, the tough drum work is nicely balanced with a raw,

                                          ringing guitar. ‘My Mistake’, slows the pace somewhat, with
    haunting horns courtesy of the Texas Horns trailing Kathy’s warmly raw vocals as they sensuously

    wrap around a slowly stinging guitar. Tampa Red’s  ‘It Hurts Me Too’, is a splendid slow blues with
    a Tex Mex influenced accordion and a slow burning slide behind Kathy’s warm emotive vocal.



    Pleasingly a very mellow accordion and guitar version of the Doc Pomus tune ‘Suspicion’

    wonderfully wafts through the air. The B side of Irma Thomas’ 1964 classic ‘Time Is On My Side’, is
    ‘Anyone Who Knows What Love Is’. Here this is given a delightful mellow pairing of guitar and
    gently punctuating horn, and is given the utmost respect. Kathy and Bill duet on the late night

    sultry ‘Extra Nice’, this slow burner has a very nice, easy and enticing accordion leading the way.



    A serious toe-tapper is to be found with the rollicking ‘Get A Hold Of Yourself’, as it steams its way
    into your ears.  A singing, stinging guitar is to the forefront on the splendid homage that is ‘The
    House That Freddie Built’ which recalls the years that Texas Blues maestro Freddie King spent

    performing at the influential Texas music hall that was The Armadillo World Headquarters, this
    was also where he recorded his final album ‘Larger Than Life’.



    Very, very nice!



    Brian Harman.
   46   47   48   49   50   51   52   53   54   55