Page 20 - BiTS_11_NOVEMBER_2020
P. 20

LL: Let’s talk about Memphis Loud. Can you tell us a bit about your concept for this album
    musically and lyrically?



                                                        VW:  Memphis Loud is a direct continuation,
                                                        musically and spiritually, from our 2019 GRAMMY
                                                        Nominated record Victor Wainwright and the Train.
                                                        I’m excited to say that we took the same formula, the

                                                        same team, and the same musicians, and then
                                                        continued where we left off.  We’re carrying more
                                                        boxcars now... but the album is just that... it’s the
                                                        next set of boxcars to The Train.  Musically and
                                                        lyrically, it’s an escape and journey from the norm.
                                                        Once you climb onboard, our goal is to take you on
                                                        an exciting journey through what we consider the

                                                        best of Contemporary American roots music. Not just
                                                        looking out the window, but we’ve taken real care to
                                                        make each boxcar different, unique and colorful.
                                                        Musically, you climb on board the Train to take a
    trip. We just want it to be one of the most exciting and breathtaking trips of your life.



    LL: My mom was a great pianist! She was old enough to be my grand mom when she had me,
    so she came up schooled by her teacher on ragtime and stride. She had that mean left-hand
    bass going on! She definitely contributed to my musical sensibilities. On “History of Boogie”
    you pay tribute to your Grandfather’s musical contribution. I think I hear a little Dr. John
    influence in there too! Who all has influenced your sound?



    VW: Thank you! It’s amazing how much our musical family contributes to our musical sensibilities!
    It’s awesome. On the piano, definitely my Grandfather as you mentioned. Dr John, sure. Pinetop
    and Otis Spann, Meade Lux Lewis, Pete Johnson and all the outrageous boogie players. Jerry Lee
    Lewis was a huge influence.



    LL: The whole world is definitely struggling during these trying times. America is no
    exception and has its own unique issues. What is it you are saying in your song “America”?


    VW:  It’s true that I wrote the song “America” before all of what this year has born to bare.
    However, I think that the lyrics say what they mean, and mean more now than ever.   “To Just
    begin to heal the pain, we must know we’re all the same. Left or right, a path we must choose. We
    shouldn’t wager more than we can lose. Information, everyone’s online, all the lies... strangers in, a

    great divide.”  Politics and differences aren’t what define us. We’re each much more than that. At
    the very least, we’re all human, and need to start there first, and recognize how beautiful THAT
    one thing, that we all have alike, really is. We are all on the same journey in the end.


    LL: “My Dog Riley” is a fun tune! Tells us some more about Riley, please! What kind of dog is

    he and what does he look like? How did he come to you? What’s Riley’s story?!!!


    VW: Riley is a Boston Terrier with a lot of attitude and personality! I wasn’t a dog guy until Riley,

                                                                                                                      20
   15   16   17   18   19   20   21   22   23   24   25