Page 30 - BiTS_11_NOVEMBER_2020
P. 30

to recent work by other younger black artists (such as Gary Clark Jr. and Son Little) who also
      combine blues with more modern musical styles.


      Graham Harrison


                                            JD Taylor—The Coldwater Sessions—VizzTone  ASIN:
                                            B08B3MTFWZ


                                            Despite singing and playing harp with the group Little Boys Blue
                                            for twenty five years this is JD Taylor's first solo album, it
                                            features 11 original songs recorded at Jim Dickinson's Zebra
                                            Ranch Studio near near Coldwater, Mississippi and uses
                                            musicians from the Grammy-nominated Southern Avenue, plus
                                            Hammond organ by Rev. Charles Hodges. We get off to a good

                                            start with 'Got Me Where You Want Me’ a relaxed blues shuffle
                                            that sounds really authentic but the nice Hammond from Hodges
                                            and the jazzy backup vocals just add a little extra something—not
      forgetting JD's big-toned harp solo. ‘Ooh Wee' is another shuffle where we get some Stax-style
      brass and chicken-pickin' guitar, more brass on 'Nothing Left To Say' a slow soul ballad and
      'Cocomo' is a laid-back shuffle with understated guitar and harp.


      I loved 'At First Glance', a melodic soul ballad in the Percy Sledge mould, whereas 'By All Means'
      ups the tempo as does 'If It Ain't Good' a slab of funk with brass and stinging blues guitar. 'Honey
      Honey Baby' is pure Jimmy Reed - a chugging 12-bar with that Reed-style blow bend harp and
      'Anastasia' is a moody slow blues featuring chromatic harmonica and we play out with 'Coldwater
      Swing' an instrumental where everyone gets to step up and take a solo, with JD again on the
      chromatic. There is nothing new here, but I did like its mix of blues and soul sounds which I found
      quite original and added a pleasing variety. JD is a good singer and harp player and all the playing
      is very good throughout but Charles Hodges’ Hammond is particularly excellent.


      Graham Harrison


                                            Bobby Lewis—Mumblin’, Tossin’ and Turnin’—Jasmine
                                            Records JASCD 1034


                                            Now THIS is R&B the way it should be, accept no substitute. Yep,
                                            the real deal. All tracks recorded over a ten year period, 1952 -
                                            1962 and only one big hit among  ‘em: Topping the Billboard pop
                                            chart for seven weeks and the R&B charts for ten, selling upward
                                            of three million copies in the process, the title of that massive hit
                                            was, ‘Tossin’ And Turnin’’ (1961).


                                            The cd contains twenty seven thumpin’, pumpin’ jump blues,

                                            including his first record cut for Chess,  the controversial and
      definitely non-PC ‘Mumbles Blues’.  Comprehensive booklet notes from Roger Dopson, label shots
      on the inside of the case, and strangely, the artist’s photo is on the back. (Why not the front?)

      Bobby Lewis was born in 1925 and sadly died in April this year (2020), aged 95, it would've been

      nice for him to have known about this release, hopefully he did.


                                                                                                                      30
   25   26   27   28   29   30   31   32   33   34   35