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broom-dusting slide guitar licks from the original (and he sings pretty well too). Big Joe also

    supplied ‘Honey Hush’, here given a rock and roll treatment worthy of Johnny Kidd’s Pirates.



    The original ‘She Was The One’ is more akin to the Canvey Island sound of Dr. Feelgood in
    approach and sound, whilst the opening ‘American Cars’ is Chuck Berry (and others) re-

    imagined singing about the motors found around James’ native South Wales - nice lyrics! ‘Stay
    Out Of Trouble’ has a rocking Cajun flavour thanks to the accordion work of otherwise

    keyboards and harmonica man Billy Lee Williams, whilst ‘Outside Help’ is the longest track on
    the album, pandering to the blues guitar audience with the lengthiest solo of the set – it
    actually runs to more than four minutes (that’s the track length, not the solo)! And there’s

    ‘Mean Little Mama’, which is a big, big sounding rocker…
    Overall then, a good-natured and good-timing release. Check it out if you are partial to vintage

    sounds.


    Norman Darwen



                                          Samantha Martin & Delta Sugar - the Reckless One - Gypsy

                                          Soul Gsr013
                                          (www.samanthamartinmusic.com)



                                          Out of Toronto, Canada, Samantha Martin easily won me over

                                          with this set’s predecessor, ‘Run To Me’  in 2018. It may sound
                                          like damning with faint praise if I write “here’s more of the
                                          same”, but it certainly is not meant like that. The earlier set

                                          impressed with its excellent soul-based approach and stylings.
                                          Here Samantha works from a similar base - soul, blues, R ‘n’ B,

    funk but there’s even a Bob Dylan cover here, with his bluesy original ‘Meet Me In The Morning’
    transformed with a Meters-ish arrangement. The remaining eleven tracks are all originals.



    Musically, Delta Sugar are right on the button, whether conjuring up a wall of sound, Phil Spector
    style, on ‘Sacrifice’, coming over all funky on the opening ‘Love Is All Around’ or aiming for and

    getting an Otis Redding type sound on ‘Don’t Have To Be’. Vocally, you can pick more or less any
    track at random, and you’ll be as impressed as I was. If pushed, though, I’d say that I must mention

    ‘I’ve Got A Feeling’, with its classic southern soul sound.



    Do check this out if you appreciate the likes of Sharon Jones, Teresa James, Janis Joplin or Beth Hart
    - or just good soul and roots-rock sounds. It’s worth it!



    Norman Darwen
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