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was obviously a strong influence on the psychedelic sounds that were to rise to
    prominence within only a few short months. From 1970, ‘Born Under A Bad Sign’
    has a fine jazz-tinged reworking and lots of the leader’s harp playing, before a

    lengthy ‘Driftin’ Blues’ closes out an instructive and enjoyable release.

    Norman Darwen


                                                 The Blues Masters Featuring Cassie Taylor—
                                                 Exulans DMD
                                                 (www.thebluesmasters.com)


                                                 I have enjoyed Cassie’s previous recordings but
                                                 this  one  does  take  things  further  after  a  break
                                                 from  music.  Cassie’s  singing  is  quite  simply
                                                 stunning at times on a gospel-steeped programme

                                                 of material from the likes of The Staple Singers,
                                                 Aretha Franklin, Blind Willie Johnson and others.

                                                 Many  of  these  songs  have  driving  blues
                                                 backings—lend an ear to the opening ‘Downward
    Road’ or the powerhouse, pounding version of ‘Wade In The Water’, and note just
    how good the backing singers are too. Otis Taylor’s daughter’s voice is right up

    front throughout though, and try the rendition of the O.V. Wright southern soul
    classic ‘You’re Gonna Make Me Cry’ and the heavy blues backing, including some
    wailing harp by Doug Lynn, on Pops Staple’s ‘I Wonder Why’ for a couple of totally
    effective changes of musical focus.

    ‘If I Could Hear My Mother Pray Again’ mixes country with gospel, an up tempo

    rendering with prominent lap steel guitar by Sally Van Meter, and the bright beats
    and performances of ‘If You’re Ready’ and ‘Respect Yourself’ beautifully recall the
    halcyon, positive days of The Staple Singers at Stax Records. Aretha’s ‘Chain Of
    Fools’ closes this extremely impressive set with a fine classic soul performance
    with the kind of vocal heard all too rarely these days (plus nice blues harp again).


    A wonderful release from all concerned, and Cassie, it’s good to have you back!

    Norman Darwen

                                                 Brody Buster—Redemption—Independent
                                                 (www.brodybustermusic.com)


                                                 At seven years old, Kansas youngster Brody began
                                                 playing his mother’s harmonicas and within just
                                                 a few years he had become a child prodigy, seen

                                                 in some of the biggest television shows in the USA,
                                                 lauded by BB King and working with the likes of

                                                 Keb’  Mo’,  Quincy  Jones  and  others.  Later  on
                                                 though, things become rather darker, and Brody
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