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Various  Artists  —The  Unissued  1963  Blues  Festival—Red
                                        Lightning ASIN : B0CN3R8QS2

                                        Starting in 1962 two German promoters Horst Lippman and Fritz
                                        Rau brought to Europe ‘The American Folk Blues Festivals’ which
                                        every  year  presented  a  whole  evening  of  authentic  American
                                        blues  singers,  both  older  acts  and  also  the  latest  artists.    The
                                        concerts were shown on television and records were also issued
                                        featuring the artists live or in the studio.  This record of a concert
                                        from the 1963 Festival recorded live in Germany is previously
                                        unissued  and  features  Memphis  Slim,  Sonny  Boy  Williamson
                                        (no.2) and Matt ‘Guitar’ Murphy and, like the other festivals, the
    acts were ‘curated’ in the States by Willie Dixon who plays bass here alongside Billie Stepney
    (drums).  Memphis Slim gets us underway with three songs featuring his piano and vocals as
    well as Murphy’s guitar, including a very ‘perky’ version of Big Bill Broonzy’s ‘All By Myself’.  Far
    better is his relaxed rendition of another song associated with Big Bill ‘In the Evening (When the
    Sun Goes Down)’.

    Matt ‘Guitar’ Murphy gives us two instrumentals ‘Grooving on Bounce’ and ‘Taking Off’ featuring
    his guitar backed up by the piano, bass and drums. Finally, we have five songs by Sonny Boy
    Williamson (Rice Miller), starting out with two solo pieces ‘99’ and ‘Bye Bye Bird’, both have
    been recorded many times before both in the studio and live but you can clearly hear in this
    performance the power and charisma that he had and he gets the best reception of the night.
    He’s accompanied by the other performers on the other songs – three SBW classics ‘All My Love

    in Vain’, ‘Your Funeral and My Trial’ and ‘Don’t Start Me Talking’ – all fine versions.  Sonny Boy
    Williamson (no.2) is often regarded as inferior to the original Sonny Boy Williamson but you can
    clearly hear from these songs that he was both a great singer and harp player as well as being a
    wonderful song writer.  I vividly remember seeing the ‘The American Folk Blues Festivals’ on TV
    as a teenager and it was partly what made me into a blues fan all those years ago and while
    historically  it  is  nice  to  now  have  this  recording  I  couldn’t  really  claim  that  it  is  essential
    listening as all Memphis Slim and Sonny Boy Williamson’s work is so widely available.

    Graham Harrison

                                        The  Madison  Crawl—Twilight  at  the  Zoo—Rotten  Records
                                        ASIN : B0CJP49QDF

                                        The  Madison  Crawl  are  a  vintage-sounding  jump  blues  outfit
                                        from Cleveland, Ohio and they recorded this album live at Cleve-
                                        land’s Zoo (!) in 2022.  We start with the 12-minute ‘King Biscuit
                                        Theme’  and  the  album  also  has  an  11-minute  version  of  the
                                        jazz/blues standard ‘The Hucklebuck’ as well as a ten and a half
                                        minute exotic-sounding ‘Brass Balls’ – with all these tracks giving
                                        the band members lots of solos.  The other tracks are more struc-
                                        tured with vocals by bandleader/bassist Chris Stovicek and the
                                        brass section cutting loose on numbers like Louis Jordan’s ‘Ain’t
    Nobody Here But Us Chickens’ and ‘Is You Is Or Is You Ain’t My Baby’.  Although I’m often

    amazed by the high standard of local bands in the USA I’m afraid that I wasn’t too impressed by
    The Madison Crawl (I thought that particularly the harmonica player wasn’t up to the standard
    of the rest of the group) although it all probably sounded OK if you were there at the zoo on the
    night.
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