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Sonny Landreth       Blacktop Run          PROVOGUE RECORDS
                                         ASIN: B081WW9897



                                         Sonny’s  new  album  sees  him  reuniting  with  former  producer  R.S.

                                         Field to co-produce the album along with Tony Daigleto and Sonny
                                         himself.  The  album  was  recorded  at  Dockside  Studios,  Lafayette,

                                         Louisiana with David Ranson on bass, drummer Brian Brignac and
                                         Steve Conn on keyboards. It certainly has the sound of some of his

                                         best former albums and the title track is a great way to start, with
                                         Sonny  playing  acoustic  slide  in  a  blues-based  song  that  also  has

   familiar melodic and rhythmic figures. “Mule” is even better - a Cajun rocker with lovely flowing, fluid

   slide playing backed up with Conn’s agile accordion playing and a skipping rhythm section. “Lover
   Dance With Me” is a mid-pace instrumental with Sonny playing through a Leslie speaker and “Groovy

   Goddess” is another instrumental, slightly jazzy this time with a more distorted, overdriven guitar tone.


   “Somebody Gotta Make A Move” written by Steve Conn is a bluesy ballad and “Don’t Ask Me” is a nice
   blues song featuring acoustic slide and Cajun accordion, while “The Wilds of Wonder” is a song about

   saving the environment – a recurring theme in Sonny’s songs. “Beyond Borders” and “Many Worlds”

   are two more instrumentals, the former a fast electric number and the latter a slower more moody,
   contemplative tune. The closing track “Something Grand” is another thoughtful, atmospheric song –

   featuring Steve Conn on organ and no guitar solo!  All Sonny’s records are always immaculately played
   and sound great but unlike his last studio album ‘Bound By The Blues’ I felt that this one was a bit short

   on good new songs and had too many quite ordinary instrumental tracks. Although the best tracks here

   – the title track, “Mule” and “Don’t Ask Me” - are as good as anything from throughout his career I felt
   that some of the other tracks were just revisiting old ground and at just 35 minutes the album is also a

   tad short.
   Graham Harrison
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