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entertain the public often as a street entertainer. After recording her first original tune (and
    theme song), ‘Mean Mary from Alabam'’, when she was six years old, the song went public and
    she was given the name Mean Mary by the press; She has used it ever since. An outstanding
    banjo player (she uses a beautiful black Deering Crossfire electric banjo) she also plays guitar
    and fiddle and is, with her mother, the author of five novels and by herself,  two music
    instruction books.



    “Portrait of a Woman (Part 1)” was released on July 22, 2022 and comes with eleven tracks of
    exemplary musicianship ranging from the intricately picked dance tune ‘Merry Eyes’, through
    the personal tale of the delights of touring in ‘Big Tour Bus’  (”My feet on the dash, my head on
    the seat, a musician’s life sure is sweet, This couldn’t get much more glamorous, but I wouldn’t
    mind a big tour bus—and a driver named Gus”)  and the deeply rooted Irish vibes of ‘Bette
    Come Back’. The entrancing tune ‘Butterfly Sky’ is a wondrous fiddle piece.



    This is a very different album to her last one, “Alone”, on which she was just—err…alone. Here
    she has the support of a full band and vocal assistance too from the likes of her brother Frank.


    How DID I miss this lady‽


    Ian K McKenzie


                                           Shemekia Copeland—Done Come Too Far—Alligator



                                           Shemekia first went on stage with her father, bluesman
                                           Johnny Copeland, when she was eight years old. Ten years
                                           later she made her first album ‘Turn the Heat Up’ for Alligator.
                                           “The Soul Truth” in 2005 earned Shemekia eight Blues Music
                                           Awards and a host of Living Blues Awards. Her 2020 release
                                           “Uncivil War” was named the 2020 Blues Album Of The Year
                                           by DownBeat, MOJO and Living Blues magazines.


                                           Shemekia, like many of her fellow Americans is hugely

                                           concerned about the direction her country has taken in the
    last decade and through her albums “America’s Child”, “Uncivil War” and now “Done Come Too
    Far” she has “…been trying to put the ‘United’ back into United States. Friends, family and
    home, these things we all value.”


    Well, she has done it again, Twelve tracks, immaculately produced  by multi-instrumentalist/
    songwriter Will Kimbrough. Subject matter ranges through a critical contemporary view of the
    world, examining, ‘The Talk’ (black youth and cops), the search for equality (’Done Come Too
    Far’)  and ‘Too Far To Be Gone’ ( “If you think we’re stopping, you got it wrong.”) and the
    prescient  ‘Pink Turns To Red’, recorded before the recent outrage in Uvalde, TX.


    Shemekia is a child of her time and in pushing for change, confronting racism and hatred and
    gun violence, she is both a voice for ordinary people and a poet rooted deep in the blues.
    Outstanding. Award winning. Inspiring.

    Ian K McKenzie
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