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Mack and the Treniers, all kinds of R&B and things leaning toward blues organ

    players.

    I was already a very enthusiastic piano player. I took lessons from age eight to 13,
                                                                    but I never played anything like that.

                                                                    I had whole books of Led Zeppelin
                                                                    albums  and  Rush  albums,  Michael
                                                                    Jackson albums. I would play them

                                                                    on the piano. Especially he sent me a
                                                                    cassette with tracks from Otis Spann

                                                                    entries  on  the  compilation  called
                                                                    “Chicago  The  Blues  Today”,  which
                                                                    was  a  classic  compilation.  James
                                                                    Cotton was on it, Otis Spann was on

                                                                    it, Junior Wells was on it, and he also
                                                                    sent me some of the recordings that

                                                                    Otis  Spann  did  with  members  of
                                                                    Fleetwood Mac  called “The Biggest
                                                                    Thing  Since  Colossus”.  He  sent  me
                                                                    tracks from all that, and of course, I

                                                                    dug  Spann’s  voice  and  a  lot  of  the
                                                                    other  blues  stuff  he  sent  me,  but

    mostly the left hand of Jimmy Smith on organ and Otis Spann on the piano became
    an obsession and I stopped going outside to play baseball on sunny days and I sat
    there running back and forth in the cassette player to the piano to try to mimic these

    bass lines. By the time I was 15, I had it pretty well down because you had to tell me
    to stop practising.

    In fact, my sister, when my parents were out, would scream down the stairs: “Shut

    the fuck up”, because I would just not stop playing. I was playing and playing and
    playing and playing and playing and playing and playing and playing. So I got really
    into the left hand thing and my father likes to remember and reminisce that it was

    quite obvious when I started taking piano lessons, he had tried to play some piano
    but he said he couldn't get his left hand and right hand to work in concert, but he
    said from the very beginning, it was clear that they were each pretty autonomous

    my two hands.

    I picked that up pretty well and another crash course was my first blues band when
    I was 16 or 17, the best musician in the band was the bass player and his whole

    family picked up and moved from Pennsylvania to North Carolina. So he was so good
    that we felt that we couldn't replace him, so I just started playing all bass lines on
    the organs. So by the time I was 17, I had been the bass player in a quite good, quite

    busy blues band in Philadelphia. That's why ever since then, I'm pretty territorial
    down there and I like to play the bass lines on organ on piano and bass sounds
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