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LP:  Ah, well now that's the thing. When I was in England, I never listened to anything

    like that. Nothing like that kind of music. It’s only when I came to Finland and I joined
    this band and we were doing sort of heavy metal kind of stuff, and somehow, I ended
    up in an open D minor tuning. I was playing lead guitar, but because I can't play lead

    guitar I ended up in this weird open D minor tuning playing slide and I started to
    think, oh, I wonder if I should look back and try to find these people that are playing
                                                               slide music because I’ve got interested in

         Fred McDowell                                         it.

                                                               From that I ended up going back and back
                                                               and back, who influenced them, and who

                                                               influenced  them?  Then  I  came  across
                                                               Fred  McDowell,  and  then  as  soon  as  I
                                                               heard  his  music  it’s  like  something

                                                               clicked in my head. I was like ah, and it
                                                               was like I'd just been waiting to find that
                                                               music.  So  I  started  learning  about  that

                                                               kind of music, and it just felt right. I think
                                                               it might have had something to do with
                                                               being  in  Finland  and  being  a  foreigner

                                                               and not being able to speak the language,
                                                               and  the  social  aspect’s  completely
                                                               different,    and  the  feeling  of  being

                                                               alienated.  So  maybe  that's  why  that
    music resonated or does resonate with me more than it would have done if I'd stayed

    in England.

    BiTS:  Well, fancy that. That's quite a story. I've never heard anybody say anything
    like that at all. What exactly was it about the music that you were playing that attracted

    you to the old blues, I guess we call it that?

    LP:  I think it’s the rawness and how it's real? I don't just listen to the blues and it's
    only certain people that I listen to. There's something about it that just touched me.

    I don't know. I understood it and in a strange way. It's like these people that have been
    dead for a long time and it's music that I've never really paid any attention to, but
    suddenly something that just clicked.


    BiTS:  You made me smile just then because I used to work with a guy when we were
    doing a duo act who used to introduce practically everything he sang by saying, here's
    another song from a dead man [laughs].


    LP:  Well  yes. Yeah, that’s it, if they're not dead, I don’t listen to them. There's going
    to be some people nowadays, that as soon as they're dead, I'll probably start listening
    to them. Ah, these are great. I don't know what is? The songs that people that I listen

    to, they've been dead for a long time and a lot of their stuff was played 100 years ago,
    over 100 years ago.
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