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(who nearly joined Big Brother And The Holding Company instead of Janis Joplin). I
     recall a transatlantic telephone interview with the rather sexy looking Velez that

     appeared in Beat Instrumental magazine that year, at the end of which she told the
     interviewer that he was the only person who had ever interviewed her stark naked

     - he said the thought lingered with him, as indeed it did with me!

     The association with CBS was shortly to come to an end (February 1971), when they

     decided not to renew their option with Blue Horizon. By way of rounding things off,
                                                               3  compilation  albums  were  released  -

                                                               “Super Duper Blues”, “In Our Own Way -
                                                               Oldies But Goodies”, and the double LP

                                                               “How Blue Can We Get?’” Those of you
                                                               who  recall  the  cover  of  “Super  Duper

                                                               Blues”  might  remember  it  featuring  a
                                                               photograph  of  Superman—who  was

                                                               actually the multi-talented Mike Vernon
                                                               in disguise!


                                                               In  the  US,  Sire  Records  had  moved  to
                                                               Polydor for distribution, and thus Blue

                                                               Horizon moved as well. The Vernon’s had
                                                               for  some  time  been  unhappy  with  the

                                                               support given them by Epic Records in
                                                               the  US,  who  issued  their  Sire  linked

                                                               material,  so  had  no  problems  with  the
     Polydor deal.


     These moves essentially signaled the end of Blue Horizon as a purely blues label, but
     the  Vernon  brothers  could  be  content  to  know  that  their  label  had  been  more

     successful than any other blues label, and certainly the only one to boast a number
     1 hit. They could also point to their roster of seriously good blues bands who were

     at the forefront of the 60s ‘scene’.

     In February 1972 Excello reissues from Arthur Gunter and Slim Harpo were released,

     followed in July by others from Whispering Smith and Lightnin’ Slim (both recorded
     in London) - these marked the end of the Excello/Blue Horizon partnership.


     The label attempted to move towards the rock scene by signing, amongst others,
     Focus, with whom they had a top 20 hit single, ‘Hocus Pocus’, and a couple of fine

     albums, the last of which was the excellent double LP “Movin’ Waves”.

      ‘Music Week’ magazine subsequently reported that Blue Horizon would be closing

     their record operation in July 1972. Apparently, the plan was for the Vernon brothers
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