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then he has played at a good number of venues and festivals with many and varied artists including
     musicians from Estonia. Over the years David has shared the stage with many musicians including
     harmonica player Lee Oskar, who not only became a friend and mentor he also signed David to his
     company ‘Lee Oskar Harmonicas in 2019’. Here are the fruits of this collaboration; eleven of the

     twelve numbers here are original compositions, with the exception of ‘Trouble In Mind’. David has
     surrounded himself with a splendid array of fine musicians with the bonus of Lee Oskar in the
     producer’s chair. David takes lead vocals and harmonica with a core band of Milky Burgess on
     guitar, Dean Schmidt; bass and Dean Clouter; drums.



     The opener ‘She’s Dynamite', splendidly combines swinging percussion burning B3 and guitar, with
     a jaunty dancing harmonica and honking saxophone, courtesy of Darian Asplund  while over the top
     David’s pleasing tenor vocal urges the toe-tapping onwards.  On ‘I Must Be Crazy', a melancholic
     tale of deceit is recounted by David; his raw emotional vocal is joined by a steadily rising, guitar
     and B3, courtesy of Ron Weinstein, a seething harmonica solo tops it off. Continuing this dark and
     dismal theme is ‘Foolish Love', David’s gentle vocals splendidly evoke memories of a tender and
     wistful Willie Nelson.  ‘Long Road', is a thoughtful ode to the journey of life, featuring a

     marvellously haunting and contrasting combination of slide guitar, cello and tabla, courtesy of
     Phillip Nelson and Joseph Ravi Albright. The atmospheric and slightly psychedelic Pink Floyd
     influenced mixture of swirling harmonica, guitar, B3 and saxophone on ‘So Much Trouble', refers to
     the present day woes of the world, as does ‘Hard Times Coming', which features a splendid slow
     Delta slide and laidback harmonica, focusing upon the political and climate changes coming upon

     us.


     Greatly endorsed!


     Brian Harman.


                                          Andy Cohen with Moira Meltzer-Cohen  Small But Mighty

                                                            (Songs For Growing People)  EARWIG CD 4977


                                                            Andy Cohen  Tryin’ To Get Home  EARWIG CD
                                                            4976



                                                            When he was 16, Andy heard the Rev. Gary Davis
                                                            perform, and the effect of Davis’ performance was
                                                            such that he became a young musician who was
                                                            highly influenced by the work of pre-war artists
                                                            such as Big Bill Broonzy and the Jim Kweskin Jug
                                                            Band. As time passed. he started to  perform on
     the road and over time began to share the stage with many of his heroes including  Jim Brewer,

     Reverend Dan Smith, Brother Daniel Womack, Reverend Gary Davis, ‘Honeyboy’ Edwards and John
     Jackson. Throughout his career, Andy, as a ‘keeper of the flame’ has focused his attention upon
     studying, promoting and playing pre-war blues and folk music from across the world. He plays in
     the Piedmont tradition, which is an East Coast finger picking style which is thoroughly soaked in
     Ragtime. To further his understanding of the music and its traditions Andy has gained a Masters

     Degree in Anthropology also, in 2011 he was given The Eisteddfod Award from The Eisteddfod
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