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REVIEWS


                                                Bobby Rush & Kenny Wayne Shepherd—Young
                                                Fashioned  Ways—Deep  Rush—ASIN  :  B0DSG-
                                                9FTWZ
                                                Bobby Rush and Kenny Wayne Shepherd wanted to
                                                record together to showcase their joint love of blues
                                                and they did this at the Royal Studios in Memphis,
                                                with  Memphis  legends  including  organist  Charles
                                                Hodges.  The first track ‘Who Was That?’ gets us off
                                                to a blistering start – with Bobby’s on-point vocals
                                                and harp playing, Kenny’s cutting lead guitar, as well
                                                as organ and riffing brass – can it get any better?
                                                ‘40 Acres (How Long)’ is totally different, a lovely
                                                semi-acoustic slow blues with Kenny’s guitar and
     Hodge’s organ and Bobby singing “Sometimes I wonder what’s going to happen to
     me when I get too old” – worry not Bob that time hasn’t come yet!  Kenny’s rasping
     electric slide guitar starts ‘Hey Baby (What Are We Gonna Do)’ with Bobby joining
     in with harp and vocals, while ‘Uncle Esau’ is a funky stomper with some great brass
     as well as some brief contributions from Kenny’s guitar and Bobby’s harp.

     Bobby is back on his favourite topic with ‘Make Love to You’ a restrained mid-tempo
     blues with Kenny’s wah-wah guitar, ‘Long Way from Home’ is a fairly conventional
     blues with nice piano and Kenny’s tasteful guitar and ‘G-String’ is a blues with just
     Bobby’s vocals and harp over Kenny’s acoustic guitar.  Kenny’s back on electric slide
     for ‘You So Fine’, and ‘Young Ways’ is their version of Muddy’s ‘Young Fashioned Ways’
     (which he did with Paul Butterfield on the Fathers and Sons album) with a wonderful
     solo from Kenny and we finish with ‘What She Said’ again a semi-acoustic song with
     Kenny’s guitar and Mr. Hodge’s wonderful organ.  On paper this may seem an odd
     combination – King of the Chitlin’ Circuit 91-year old Bobby Rush and Kenny Wayne
     Shepherd only in his 40s but I thought that the two worked together brilliantly, with
     Bobby adding a down home earthiness and authenticity to Mr. Shepherd and Kenny
     adding a little finesse to Bobby.  Bobby’s vocals and lyrics are still excellent (he’s 91
     for God’s sake!) and made me laugh out loud at times and his harp playing seems to
     get better with every record, while Kenny’s guitar playing is first class throughout
     on  electric,  acoustic  or  slide  –  he  doesn’t  hog  the  limelight  and  his  playing  is
     considered and concise.  Great work guys!

     Graham Harrison

                                                 Popa Chubby & Friends—I Love Freddie King—
                                                 Gulf Coast Records  ASIN : B0DSKYV1TN

                                                 I  was  first  aware  of  Popa  Chubby  with  his  Tom
                                                 Dowd-produced 1995 album Booty and the Beast
                                                 which opened with a fabulous high-energy version
                                                 of Freddie King’s ‘Palace of the King’.  Now we get a
                                                 full album of Freddie covers, in this case starting
                                                 with ‘I’m Going Down’ with Joe Bonamassa helping
                                                 out on guitar and with Popa’s gravelly vocals, and
                                                 Albert Castiglia joins in on the mid-tempo ‘Love Her
                                                 with  a  Feeling’  as  well  as  the  instrumental  ‘The
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