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Dyer Davis – Dog Bites Back – Wildroots


                                        Dyer Davis’ father was a musician who instilled in his son a love
                                        of  the  music  of  the  60s  and  70s,  particularly  the  blues-based
                                        music  of  early  Jeff  Beck  with  Rod  Stewart  on  vocals.  After  an-
                                        nouncing  his  arrival  with  a  stunning  vocal  on  ‘The  Bad  Seed’,
                                        acknowledged  as  one  of  the  top  tracks  on  the  label’s  various

                                        artists showcase “WildRoots Sessions Vol. 2”, Dyer now has his
                                        own full album.


                                        The majority of the tracks certainly fall into the hard-core blues-
    rock bag, and Dyer wastes no time in proclaiming his major influences: the opener is a very
    creditable cover of ‘Let Me Love You’ from Jeff Beck’s 1968 debut album “Truth”. Listen carefully
    too and you might hear traces too of Robert Plant, Paul Rodgers and Jimmy Page. It sets the bar
    high, but Dyer continues to impress mightily throughout.


    There are occasional changes of approach and style. Try bass player Stephen Dees’ composition,
    ‘Lifting Up My Soul’ which is indeed a fine soul tune, or the Americana of ‘Angels Get The Blues’,
    and in a different fashion, ‘Don’t Tell My Mother’, whilst ‘Long Way To Go’ is an inspirational
    gospel-tinged duet with label (co-) boss and pianist Victor Wainwright.


    Fans of both vintage UK blues-rock and the contemporary sound will find plenty to enjoy here…


    Norman Darwen

    (www.dyerdavismusic.com)



                                        Hundred  Seventy  Split—The  Story  So  Far—Repertoire  Re-

                                        puk 1450


                                        Ten Years After (TYA) were one of the biggest names in blues-
                                        rock around the end of the 60s and beginning of the following
                                        decade,  with  guitarist  and  vocalist  Alvin  Lee  enjoying  far,  far
                                        more than fifteen minutes of fame as “the fastest guitar player in
                                        the  world”  and  the  band’s  amazing  appearance  at  the  1969
                                        Woodstock Festival. At first I felt I should apologise for starting
                                        this review detailing a different band, but no, it’s all about context.


    Alvin  Lee  left  TYA  in  2003  (there  had  already  been  a  hiatus  from  around  1974)  and  was
    replaced by Joe Gooch, who left TYA around 2010 with founder member bass player Leo Lyons.
    These two then started Hundred Seventy Split, with this line-up completed by drummer Damon
    Sawyer.


    Got all that? Right! This release is a retrospective of not only the band itself, but also referencing
    TYA. The material was chosen by Leo Lyons himself and mixed live and studio recordings from
    the band’s previous five albums – there are also two previously unreleased tracks. The most
    obvious TYA connections are via ‘I’m Going Home’ (made world-famous in the “Woodstock” film
    and recreated in this band’s 2019 album “Woodstock ‘69”, and TYA’s sole UK hit single, ‘Love
    Like A Man’. The band stands in its own right, mind you, with deep blues roots, as on the shuffle
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