Page 63 - BECOMING EVA SHOW CATALOGUE

SG: Eva is not only one, it is you think about it, the instal- role of initiation, that is, ini-
as I can say, a condition, both lation, I couldn’t know if the tiation into the hermetic da-
sensorial and spatial, but containers with the tempe- tum. I perceive this presence
also of ideas put into play. To ra burst at the precise mo- and seeing this project it is
say: the criteria of the poe- ment, I arranged everything evident how it continues and
ms, four poems but basically so that it was, it all happened extends the macroproject
a mini science fiction story there. It happened that I, like that is The Blackchurch
with frame, whose contents those who came, felt a bit of Archive, what is the link?
have not been agreed with anxiety, a bit of contrasting
Stefano. Obviously we chat- sensations that I consider SN: Becoming Eva is the se-
ted a lot, but the text is not real life, that’s what interests cond chapter of Discipline
an ecphrase, a commentary me, that’s real life, with all its of the Great Space, a macro-
on the exhibition in literary contradictions: let’s go back project I’ve been working
form, it’s something that was to the fact that without sha- on for some time. The Black
born together, obviously I dow there’s no light, without Church Archive I created it
knew what the exhibition tragedy there’s no fully lived, as a link between chapters
would be like, I didn’t see it without fear there’s no joy. and the complete project,
in advance, almost nothing, This is the point: Eva - and which then the complete
but some things, those that even those who want to be project is me. It immedia-
were practically needed to Eva - had to understand that tely became an ‘architectu-
get in tune, then he and I life is not only intelligence re in motion’ because it is a
passed all kinds of feedback or information or correct strategic system, I use and I
to each other and so in this distribution of data, even like this word, in which I play
sense my Eva has her own if you move within such a between the visible and the
content, which obviously scheme today, a comfortable non-visible, between future
resonates with her work, scheme. Eva does not move present and past of my work,
but the Eva of the story is in a comfortable room, but changing the terms from
not the Eva of the perfor- in a room that becomes a time to time. I move within
mance from a certain point room overloaded with lan- the idea of infrastructure.
of view, they are sisters, guages, which become no One of the questions I have
but they are not the same. language. In the space you always asked myself is how
found ideography, because to bring out in an original
SN: There is a shared intent, physically with chisel and way all the great process and
basically also political, on a hammer - as the ancients research apparatus in my
common territory characte- did - I engraved the stone of work, both theoretical and
rized by subjects in move- the wall to insert the alumi- in relation to media structu-
ment. It is, however, essential nium, the strap. Then there res. The Black Church Ar-
from an individual dimension. is the next step which is the chive goes in that direction,
verbal, then again icon and it becomes the extra ele-
IB: That’s a bit in the tit- index and simulacrum. The- ment of the media meal that
le too, isn’t it? In the sense re is everything that can be I cook, it balances the diet.
that you don’t present Eva, summarized of human sign
the title is Becoming Eva. production. And all this im- IB: A shared diet, howe-
plies the collapse of langua- ver, through the devi-
SN: Very interesting point. ge. What is collapse? a new ce that you put in place.
primordial broth, it is be-
SG: It also refers to the path coming fundamental in my SN: Yes, it holds together,
of the Great Work: there is work, I find great satisfaction it binds. On the one hand it
the becoming the becoming, in melting, then to change documents my work and on
everything must become. the state of one thing and the other a bit of his but it
in soldering, then to asso- has two accesses, two pos-
SN: Exactly, the becoming, ciate one form and another. sibilities to access the first
the Spinotian idea of pas- is the common one inhe-
sions, of the mint, of the push IB: Yes, but in the same way, rent in the internet and the
towards something. I always what interests me is how other is the one instead of
find it very interesting, the- you link the passage from a LAN local area network
re is no completeness apart, language to art with this te- in which there is an access
even with respect to a ste- chnological capacity, with this through the NFC keys that
rile contemplative idea of new technological tool that I also put in the exhibition.
art. There are a series of allows you this idea of fusion. The keys here have a visi-
actions, revisions, trying and In your being you always say bility that is for the month
trying again, paradoxically a “it’s fire that interests me, in which there is the exhibi-
not knowing what happens, it’s what melts” and here we tion for everyone, but then
but the preparation for the go back to Sergio’s framed you take away that part that
event that is fundamental. If story, where fire has a great becomes no longer visible