Page 14 - J.D. Lenzen "Decorative Fusion Knots"
P. 14

introduction







                   For tens of thousands of years, knots played a  prosperity. But others were created for more
                   critical role in human society. They have helped  utilitarian purposes such as buttons for jackets
                   us catch food, sail the seas, build empires, wor-  and shirts.
                   ship, remember and heal. Quietly supporting us
                   through all our historic conquests and adven-  Much like the development of any art form, time
                   tures, knots helped our ancestors tie their world  and practice are the keys to new ideas and inno-
                   together.                                vative developments. Mariners throughout his-
                                                            tory,  with  lots  of  time  of  their  hands,  began
                   The Incas of South America, for instance, may  coxcombing, covering rails and wheels with dec-
                   have used knots tied along strings as an early  orative  wraps  and  ties. These  wraps  and  ties
                   form of writing— communicating narratives of  served the dual purpose of improving the grip
                   the Incan Empire through knots rather than ink  on an otherwise slippery object, while at the
                   and paper. They also used knots as accounting  same time increasing the beauty of the ship.
                   tools, generating and keeping records similar to
                   those  kept  by  modern  day  bookkeepers  and  As still more time passed, knots grew to become
                   census takers.                           a semi-finite field of study. Knot books started
                                                            presenting  what  had  come  before;  with  the
                   More popularly, the Celts used stylized represen-  most attention being paid to practical knots.
                   tations of knots to express a variety of natural  Then, in 1944, Clifford W. Ashley published The
                   and spiritual concepts. Seen on ancient struc-  Ashley Book of Knots (ABOK), an encyclopedic ref-
                   tures and in modern motifs, these decorative  erence manual describing how to tie thousands
                   knots conveyed the relationships between man  of  decorative  and  functional  knots  from  all
                   and woman, hunter and prey, earth, spirit and  around the world. To this day, Ashley’s tome re-
                   the universe. Still other Celtic knots are believed  mains the quintessential book of knots.
                   to have represented protection from evil spirits,
                   and were placed on battle shields or near people  Members of the International Guild of Knot Tyers
                   who were sick.                           (IGKT; officially founded in 1982) updated ABOK
                                                            in 1979, adding what was then believed to be a
                   Asian  cultures,  primarily  Chinese,  produced  new knot called the Hunter’s Bend. Many of the
                   decorative knots that took on the esthetic qual-  guild members have gone on to write multiple
                   ities of religious symbols, nature and money.  books on the subject of knots. Most of these
                   The Double Coin Knot, for instance, is so named  books, with the exception of a select few, focus
                   because it looks like two Chinese coins overlap-  on what has come before as opposed to new or
                   ping. The majority of these decorative knots  recently created knots. When it comes to deco-
                   were meant to represent good luck, virtue, or  rative knots, this last statement is especially true.








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