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CONCLUSION
The study of imagery, symbolism, and vision in Eliot and Pound reveals that
these devices are far more than aesthetic flourishes; they are central to the
intellectual and cultural mission of Modernist poetry. Eliot transforms imagery into
symbols of spiritual crisis, embedding them in a visionary framework of cultural
renewal. Pound, by contrast, uses imagery and symbolism to construct an epic vision
of history and culture, blending imagist clarity with encyclopedic ambition. Despite
their differences, both poets reveal a shared modernist goal: to navigate the
fragmentation of the modern world by reconstructing meaning through poetic
vision. Their works remain enduring testaments to the power of imagery and
symbolism in shaping not only literary form but also cultural imagination.

REFERENCES
1. Brooks, Cleanth. Modern Poetry and the Tradition. University of North
Carolina Press, 1939.
2. Eliot, T.S. The Waste Land and Other Poems. Harcourt, 1922.
3. Eliot, T.S. Four Quartets. Harcourt, 1943.
4. Kenner, Hugh. The Pound Era. University of California Press, 1971.
5. Pound, Ezra. The Cantos. New Directions, 1915–1962.
6. Pound, Ezra. Personae: Collected Shorter Poems. New Directions, 1926.
7. Rainey, Lawrence. Modernism: An Anthology. Blackwell, 2005.
8. Smith, Grover. T.S. Eliot’s Poetry and Plays. University of Chicago Press, 1974.

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