Page 596 - XORIJIY TILLARNI O‘QITISH VA TARJIMA SOHASIDA SUN’IY INTELLEKTDAN SAMARALI FOYDALANISHNING ZAMONAVIY TENDENSIYALARI

literature shows that expressive devices play a central role in shaping the aesthetic
and poetic qualities of literary texts. Previous research provides a strong theoretical
foundation for examining the aesthetic and poetic role of expressive devices in
English and Uzbek poetry, while also indicating the need for further comparative
studies that explore the interaction between language, culture, and artistic creativity.

RESEARCH METHODOLOGY
The present research is devoted to investigating the aesthetic and poetic role of
expressive devices in English and Uzbek poetry. The methodology of this study is
based on a combination of linguistic, stylistic, and comparative approaches, which
allow a comprehensive analysis of poetic language. The use of several
complementary methods ensures the reliability, validity, and depth of the research
results. The study follows a qualitative research design, as the main objective is to
analyze linguistic and stylistic features in poetic texts and interpret their aesthetic
and semantic functions. Poetry is a highly artistic and context-dependent form of
language; therefore, qualitative analysis is more suitable than purely quantitative
approaches. However, elements of quantitative observation were also used to
identify the frequency of certain expressive devices in selected texts. The research
materials consist of selected poems by modern English and Uzbek poets. The criteria
for selecting texts included the presence of figurative language, diversity of
expressive devices, and thematic relevance to emotional or philosophical topics.
Poems representing different stylistic tendencies were included in order to ensure
the representativeness of the data. The data were collected through textual analysis
of poetic works. Poems were carefully read and examined in order to identify
expressive devices such as metaphor, simile, personification, imagery, symbolism,
repetition, alliteration, and parallelism. Each instance of an expressive device was
recorded and classified according to its type and function. For example, in English
poetry, metaphoric expressions such as “Hope is a fragile bird” illustrate how abstract
concepts are represented through concrete images. Such examples were noted and
analyzed to determine how metaphor contributes to emotional expression and
imagery. Similarly, in Uzbek poetry, expressions like “Yuragim sahrodek keng, ammo
yolg‘iz” (“My heart is wide like a desert, yet lonely”) demonstrate the use of simile and
symbolic imagery to convey emotional states. These examples were collected as
evidence of how poetic language functions in Uzbek literary tradition.
The descriptive method was used to identify and classify expressive devices in
the selected texts. This method involves observing linguistic phenomena and
describing their structural and semantic features. Each poetic device was analyzed
in terms of its form, meaning, and stylistic function. For instance, alliteration in
English poetry, such as “Silver silence softly spread,” was analyzed to show how
repetition of consonant sounds creates musicality and enhances aesthetic
perception. In Uzbek poetry, sound repetition may appear in phrases such as “Sokin
sahar sukunatida”, where repeated consonant sounds contribute to rhythm and
harmony. The descriptive method made it possible to systematize the data and
identify common patterns in the use of expressive devices.
Stylistic analysis played a central role in the research, as it allowed for
examining how expressive devices function within the overall structure of the poem.
This method focuses on the interaction between language form and artistic 596
meaning. For example, personification in English poetry, such as “The wind

IV SHO‘BA:

Tarjimashunoslikda sun’iy intellektdan foydalanishning lingvistik
muammolari va funksional imkoniyatlari
https://www.asr-conference.com/