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                                     Bold Constructions


                                     The formation of an applied aesthetics through artistic intervention
                                     is an idea which concerns a great many artists today. Starting
                                     from the teachings of Bauhaus about an art inextricably tied
                                     to life and up to the current view of an open process
                                     that extends the limits of creativity beyond the established fields
                                     of art, artistic activity today touches on many areas.
                                     Overcoming the inhibitions of an obsolete approach to art
                                     as "complete in itself," many famous artists have long contributed
                                     to the applied arts and thus expressed their opposition
                                     to the alienating uniformity brought about by consumerism.
                                     And if most of these proposals by artists such as Dali, Picasso,
                                     Calder, Vasarely and Matta never made it to mass production,
                                     but remained as quaint industrial designs produced in limited numbers,
                                     it is mostly because of absence of the appropriate industrial infrastructure.
                                     Bringing together all these experiences from the past, the attempt
                                     for a harmonious cooperation between art and technology has been taken
                                     up once again, but this time on a new basis. Next to the mainstream
                                     industry, which is always cautious in adopting new trends, smaller industrial
                                     concerns are being set up by groups of artists and architects whose work
                                     promotes an unconventional aesthetic. It is no accident that the post-modern
                                     art movement went immediately into the familiar environment of daily life
                                     and found its practical expression in today's furniture, lighting and utilitarian
                                     objects and, most importantly, in a whole new approach to interior design.
                                     It is also no accident that post-modern design emerged virtually
                                     simultaneously throughout Europe: in France, Germany, Spain, and Italy,
                                     with the famous Memphis and Nova Alchimia groups, but also in Greece
                                     with Studio Metaplasi. The main aim of all these groups, which were
                                     organized on a contemporary industrial basis, was to break down
                                     the aesthetic monopolies and expand the artistic consciousness.
                                     Promoting ideas whose associations lead to bold combinations of different
                                     art codes, post-modern design currently represents the most advanced
                                     approach to decoration, linking the history of yesterday and the visions
                                     of tomorrow in imaginative constructions. One might well wonder how
                                     Greece, with its non-existent infrastructure in contemporary design,
                                     finds itself on a level with countries with a huge tradition in this area.
                                     The answer comes from the two founders of Studio Metaplasi,
                                     Nikos Zouboulis and Titsa Grekou, whose artistic work had always involved
                                     space, constructions and the technological exploration of various materials.
                                     Artists with a long track record in the fields of sculpture, performance
                                     and experimental research, Nikos Zouboulis and Titsa Grekou have always
                                     treated their work as an open process that can lead to many different paths.
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