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Applause
Before 1976 and the beginning bats or other scary creatures bumping
of their partnership, Zouboulis had already against the elastic sheet – these images
presented three happenings in Athens spring to mind as phases of a mini-drama
and, by 1972 had invented his signature which has you holding your breath throughout
material: a soft sheet of rubber which was the 20-minute action.
to become a decisive element in the duo's Words alone cannot capture and describe
subsequent activities. the element of the unique, the improvisations
Together they have mounted three actions within a loosely defined framework
so far in which they have equal roles, that permits different, spontaneous gestures
two in Italy and one in Athens. The latter, and movements each time, based on
a very impressive event called a laconic choreography, which is the spine
"Action - Memory – Transpositions," of all of Zouboulis and Grekou’s actions.
was accompanied by T. Antoniou's music, Some of the phases of the work as they are
specifically written for the piece. The work imprinted on the rubber screen have been
brings to life man's struggle as he writhes transferred to plaster, but even that fails to
in a type of magma, struggling to come up convey the tension of movement as it unfolds
for air, touching the surface and then sinking before our eyes.
back in, with his body leaving only minimal Only by watching the actual
bumps like a restless archipelago with the performance/action can one experience
peaks of a continent that has sunk into the the impact it has.
ocean. An embryo wrapped in the mucous
Alexandros G. Xydis
membranes of the womb, trying to come
Athens, May 1981
into the light; a man twisting and sinking
in the viscous wrapping of one of the most
consumable materials of our civilization;
