Page 297 - ESSENTIAL LISTENING TO MUSIC

symphony orchestra seating plan, 39, 40 Brentano String Quartet, 32
bridge (transition), 121, 137, 162
Bublé, Michael, 31
Burgtheater (City Theater; Vienna), 104 Burney, Charles, 169
Burns, Ken, 247
C
cadence, 26 cadenza, 132
Cage, John, 257–259
4’33,” 258–259
Camille (Dumas the younger), 202
Canadian Brass, 36
canon (collection of works), 216
canon (musical form), 29, 41–42, 80–81, 116–117 Canon in D major (Pachelbel), 29, 41, 80–81 cantabile (songful), 156
cantata
chamber, 72–73, 90, 98
church, 90–94
Canterbury Tales, The (Chaucer), 52
Carey, Mariah, 50
Carmen (Bizet), 12, 209–211
Carnegie Hall (New York City), 7–8, 195, 215,
250–251 Caroline (queen), 95
Caruso, Enrico, 199
Casanova, Giacomo, 147 Cassatt, Mary, 227
castrati, 61, 96, 199
cello, 32, 33, 40
cerebellum, 4, 7, 16
chamber cantata, 72–73, 90, 98 chamber hall, 8
chamber music, 72–73
chance music, 257–259
Chandler, Gene, “Duke of Earl,” 28 Chanel, Coco, 235
Chang, Jerry, 81
chanson, 54–55
chant, 49–51, 53
character piece, 187
Charles I (king), 72
Chaucer, Geoffrey, 52
“Che gelida manina,” from La bohème
(Puccini), 211–212 Chicago Symphony Orchestra, 10 Chickering Piano Company, 179 China
musical template in, 5 “slides” in pitch, 20 strings, 32
Western music in, 265
Chopin, Frédéric♭, 170, 171, 181–183
Nocturne in E major, Opus 9, No. 2, 181–183
chorale, 91–94, 98 chords
building harmony with, 26–27 chord progressions, 26 consonant/dissonant, 5, 27
defined, 26
types, 26–27, 148, 233–234 chorus, in strophic form, 43–44 chromatic harmony, 170–171, 182 chromaticism, 76, 233, 234 chromatic scales, 24
church cantata, 90–94
Clapton, Eric, 185
clarinet, 34, 35, 40
classical music
communication process in, 9
compared with popular music, 6–8, 10–11, 12,
16, 18–19 defined, 6
genres, 7–8
getting started with, 12–13 language of, 9
style periods, 8–9
venues, 7–8
Classical period (1750–1820), 9, 101–150 architecture, 102, 104, 110, 116, 134–135, 141 audience expectations, 116–117, 134 characteristics of music, 105–108
dynamic mood, 108, 116–117 harmony, 106–107
melody, 105, 106
rhythm, 107, 137, 158–163 texture, 107–108
“classical” as term, 102
compared with Romantic period, 168–172 Enlightenment influence, 103–104, 113, 116,
123, 145 form, 116–132
binary (AB), 128
canon, 116–117
rondo, 130–132
sonata–allegro, 120–124, 136–139, 159–163 ternary (ABA), 117–124
theme and variations, 124–130 genres, 133–150
concerto, 106–107, 131–132, 143–145 dance music, 116, 117–119, 139 opera, 104–105, 111, 113, 145–150, 199 sonata, 120, 142–143
string quartet, 139–142
symphony, 45, 46, 105, 111, 117, 120, 122,
127–130, 134–139, 157–165 instrumental music/instruments, 105–108,
118–132, 134–145
painting, 105, 106, 110, 112, 113, 116, 118, 128, 139,
152, 158, 163
text and music, 104–105, 111, 113, 148–150 Viennese School, 104, 108–109
clef sign, 22
Clement XIV (pope), 111–112, 113 La Clemenza di Tito (Mozart), 113 coda, 122, 161
Coldplay, 12
col legno (with the wood), 193 color, 31–32
defined, 31 instrumental, 32–40 voice, 31–32
Columbus, Christopher, 49
comic opera (opera buffa), 104–105, 145–150 communication process, 9
compact discs (CDs), 5, 10, 255
concert halls, 7–8, 11, 32, 187, 195, 215–216, 252, 265 Concert at the Villa (Visentini), 71
Concert spirituel (Paris), 103–104 concertino, 82, 143
concerto
Baroque period, 78, 81–85
Classical period, 106–107, 131–132, 143–145 Romantic period, 217–222
concerto grosso, 82, 143, 217
Concerto Grosso 1985 (Zwilich), 251–252 conductors, 39, 216
consequent phrase, 106, 136–137 consonance, 5, 27
contrabassoon, 35, 185
contrast, in creating form, 42 contratenor, 53
cool jazz, 253
Coolio, 81
Copland, Aaron, 246–250
Appalachian Spring, 247–250
“open scoring,” 247
Corelli, Arcangelo, 69
cornet, 185, 189
Coronation Service (Handel), 95
Council of Trent (1545–1563), 62
Counter Reformation, 62
counterpoint, 41–42, 70, 87, 88
Country Music Hall of Fame (Nashville), 32 Coursera, 222
Covent Garden Theater (London), 187 “cover songs,” 7
crescendo, 31
Crockett, Katherine, 247 cross-stringing, 179
Cubism, 232, 239 Cui, César, 223 cymbals, 37
D
Dance (Matisse), 236 dance music
Classical period, 116, 117–119, 139 Modern period, 235–240, 247–250 in popular music, 7
Renaissance period, 63–64 Romantic period, 181, 194–197
“Dance of the Reed Pipes,” The Nutcracker (Tchaikovsky), 45, 46, 196, 221, 236
Danhauser, Josef, 152, 165
Darwin, Charles, 187, 208–209
David (Michelangelo), 58
David, Jacques-Louis, 158
Davies Symphony Hall (San Francisco), 32 Davis, Miles, 253–254
Day-Lewis, Daniel, 220
Death of Dido (Guercino), 75
Debussy, Claude, 195, 228–230, 232, 235
Prelude to The Afternoon of a Faun, 228, 229–230
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