Page 2 - cn - The Painted Garden Highgrove studio draft -06-10-2024
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The Painted Garden Highgrove






      The first Painted Garden exhibition was a collection of works I had put together as an exhibition celebrating Rosemary Verey’s garden at
      Barnsley, Gloucestershire and was presented by Astley House Fine Art. His Majesty ( then HRH the Prince of Wales) kindly opened the
      exhibition in May 1994 and was also attended by Rosemary Verey at the Museum of Garden History, Lambeth, London, in support of the
      Museum.


      The painted garden theme has continued to celebrate prominent gardens in Britain and includes various gardens in France, Italy and the USA
      over the past 30 years, to the present The Painted Garden at Highgrove collection.


      From the outset and subsequent Painted Garden  collections, the emphasis has been to explore and depict the relationship of owners of
      gardens and society with nature, by participating as co-creators through gardening and engagement with the land.

      Each collection has sought to express the particular and unique narrative of the garden by interpreting the process initially as abstract
      thought, through vision, to the actualisation of those intentions. Each garden can be realised as a manifestation of creative expression borne

      out of philosophical and spiritual perspectives.

      The Painted Garden  Highgrove is an interpretation of the gardens within the estate created by collective advisers in relation to
      His Majesty’s underlying philosophical viewpoint of life and its relationship to the natural world. The creator of a garden, particularly over a
      long time of engagement, is an ever evolving process and a personal journey resulting in a transient created space.

      Effectively this collection is an internalisation of the created spaces and their ambiance which I responded to in new terms of reference and
      visual language.

      The overall approach to compositional narrative portrays the philosophical and spiritual emphasis, wherein particular spaces within the
      gardens are painted as distinct themes by focusing on their uniqueness.
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