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                   George William Coventry {later 6  Earl} inherited Croome Court and surrounding estate in 1751 when he was 30. The 6  Earl’s
                   intention was to transform the 1640’s house into a fashionable Neo-Classical mansion in the form of Palladian style built between
                   1752-62, including the surrounding land, much of which was water logged and a virtual mire, and creating a parkland and pleasure
                   garden, the first and most innovative of its time.

                   Two men key to the project’s success were commissioned, namely; Lancelot ‘Capability’ Brown, who came from Stowe Park in
                   1752 at the age of 32 and Robert Adam in 1760. Brown first remodelled the house, with some suggestions being made by the
                   Gentleman Architect Sanderson Miller who was a friend of the Earl. A considerable construction of drainage systems was carried
                   out in order to drain the surrounding raised land and direct the water into a man-made river course. The existing church of St Mary
                   Magdalen was demolished and rebuilt by Brown in the Gothic style to the north east on raised ground.

                   The composition captures the wider estate and aligns the church of St Mary Magdalen, the southern elevation of Croome Court and
                   the man- made river course including the Chinese Bridge built in 1750-51 designed by William Halfpenny. The scene celebrates
                   and stands as a statement to Brown’s initial vision and the resultant effect of some 300 years of maturity. The time of year is
                   October with the season’s autumn tints and deepening tones of late afternoon light; adding a sense of transience’- yet the scene of
                   distant cattle sets an arcadian scene becoming a reminder of the vision of the idyll so often depicted in Claude Lorrain’s paintings,
                   which was the inspiration for so many parkland settings at that time.

                   In a way this is borne out by the fact that Croome Court and Parkland survived especially through the Second World War, when
                   RAF Defford was created with runways and military buildings for the purpose of developing radar technology. Once again Croome
                   stands triumphant as an arcadian setting saved for the modern world.

                   The original tapestries for Croome Court now hang in the Metropolitan Museum of Art in New York.








                                Croome, Worcestershire.NT
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