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Nymans had been through two transformations. From the outset Ludwig and Annie Messel in 1890 purchased an
                             early Victorian house along with 600 acres of woodland and farmland. The Messel’s set about making alterations
                             and additions to their country home. It was through Ludwig’s passion for collecting art and antiques, and developed
                             friendships with leading artists and musicians that lead to the marriage of Maud to Ludwig’s son Leonard.
                             Maud was the daughter of Edward Linley Sambourne , then cartoonist for the Punch Magazine. When Ludwig died
                             in 1915, Leonard inherited Nymans. Leonard persuaded Maud to move into Nymans from their nearby property of
                             Balcombe House, on the proviso that he would make radical changes.

                             The house as seen today is the remnants of their home. For Maud, coming from an artistic family and social circles
                             in London felt a home should be full of charm and romance. The radical change came in the form of a completely
                             new house styled as a late Medieval manor. After first engaging the distinguished architect Norman Evill to create a
                             romantic idealised country house, Leonard and Maud then commissioned the renowned church architect Sir Walter
                             Tapper. Maud had researched the style she wanted from existing properties for inspiration including Great Chalfield
                             Manor in Wiltshire and Brede Place in Sussex. It took five years to realise its completion. Maud and Leonard were
                             passionate gardeners and further developed the gardens initially created by Ludwig, Annie and their daughter
                             Muriel. Advice was given by the nearby estates of Gravetye Manor and High Beeches.
                             The Forecourt and Knot  Gardens were principally designed by Maud, whilst Leonard developed other areas of the
                             gardens.
                             The chosen time of day for this composition was mid to late morning, wherein the light direction accentuates what
                             had become a romantic ruined house, gutted by fire on the 19th February 1947. The windows now empty of glass
                             and frames, along with the stone and brick structure, take on the semblance of a past romantic age, a dream of the
                             past, especially when the building is softened by nature and weathering. By an ironic outcome such an ambience was
                             desired by Maud and Leonard Messel when they were planning their ideal home.






                         Nynams, West Sussex,  The Forecourt Garden

                         401/8 601/16 inches -o/c
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