Page 32 - cn - fg -fragments and traces - studio curated 22-04-2024

THE Spirit of BLENHEIM

The interpretation of classical antiquity.

There has been a recurring theme throughout the revisions to Blenheim Estate over the past 300 years in the incorporation and managing of
water as an integral visual component, this so effectively contributes to the ambience that is experienced at Blenheim Palace.
Vanbrugh’s design was to utilise the stream of the Glyme that meandered through the marshy land bounding the old manor of Woodstock,
to create two lakes in which his proposed Grand Bridge would span over. Subsequently Capability Brown deepened the lakes by introducing
a cascade, thereby damming the water.
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Water was further introduced into the Palace Gardens by the 9 Duke in two locations. Firstly, the placing of a fountain designed by Waldo
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Story within the existing Italian Garden {which had been commissioned by the 7 Duke} where the use of water is being constrained and
utilised for its visual energy and its flow being jetted by the fountain.

Secondly, the complete creation of an Italianate styled Water Terrace was set on two levels, and situated abutting the west elevation of the
Palace and this was structured out towards the Great Lake, in collaboration with the French, architect, Achille Duchene. The collective result
was to create a visual linkage to the Great Lake through the effect of successive reflective surfaces of the Water Terrace Gardens.
Again, the use was made of the energy produced by fountain jets and spray, to interrupt the stillness of the mirrored surfaces.
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The 11 Duke introduced water in a more contemplative stilled ambience by the introduction of a Secret Garden, positioned off the
Parterre. Within the garden, two pools separated are by a rill, mirror and reflect the changing colours of the seasons.

Blenheim exemplifies the manifestation of positive creative mind, harmoniously engaging between Man and Nature, indeed a rare special
place.