Page 99 - SOUTHERN OREGON MAGAZINE SPRING 2022
P. 99

JOSHUA L BONG


                                      C O N ST RU C T I O N



                        combining form and function in modern-day concrete


                                            by valerie coulman              provided by joshua bong construction





                                    n the construction and architectural design industries, concrete has been find-
                                    ing its renaissance from a commonplace material of industrial properties, to a
                                    material of form, design, elegance, and durability. Joshua Bong, owner of Joshua
                                IL Bong Construction in Eagle Point, has seen that metamorphosis firsthand
                                 through his own 25 years in the business, and in his family’s roots in concrete.

                                 “I kind of fell into it [as a profession],” he comments. “My family’s done concrete for
                                 a long time – some of them for more than 45 years – and I would work with them in
                                 the summers.” While still working with them on occasion, he has branched out with
                                                        his own contractor’s license and built his own crew.

                                                        Like many contractors, when the recession of 2008 hit
                                                        the construction industry, Bong and his team had been
                                                        doing a lot of work with spec homes and subcontract-
                                                        ing for area builders. But then, “all the builders went
                                                        away.” As businesses were hit, and contractors either
                                                        closed or relocated, Bong found himself reinventing
                                                        his business also. “I basically had to get smaller and get
                                                        more hands on.”

                                                        At that point, he started working directly with home-
                                                        owners, primarily in  Ashland because that’s where
                                                        building was still happening. Bong found the closer
                                                        connections and smaller jobs more to his liking.  “I
                                                        found that I enjoyed it way more,” he remembers. “I fit
                                                        in comfortably there.” He also found that during that
                                                        process he connected with a range of architects whose
                                                        vision gave him a chance to do more than pour drive-
                                                        ways and foundations. One of those early specialty jobs
                                                        came after connecting with Andrew Gower of Andrew
                                 Gower Design in Ashland. “He had a specific look he wanted, and I thought, I can do
                                 that. It became fun.” Also, custom jobs usually allow a little more time and, he admits
                                 realistically, a little more money.

                                 They also involve some unique and special projects, like the Angel Reflection Garden
                                 at Celia House in Holmes Park in Medford. Bong was part of constructing the con-
                                 crete plinth that houses the workings of the fountain and supports sculptor Kevin
                                 Christman’s statue of a listening angel that the garden is named after. Water flows
                                 down all four sides of the fountain’s plinth, while the inside edge of the surrounding
                                 concrete bench features a poem written in stainless steel lettering that can be read
                                 as you walk around the peaceful and contemplative fountain.



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