Page 84 - Pundole's Auction M0015
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42 § #

   SYED HAIDER RAZA

    1922?–?2016

   Corse

    Oil on canvas
    1958
    21½ × 14? in. (54.5 × 37.8 cm.)

    Signed and dated ‘RAZA ’58’ lower right and further
    inscribed ‘RAZA “CORSE” / 10 P / P no 154 - 58’ on
    a label on reverse

   ??40,00,000?–?60,00,000

    $ 59,700?–?89,550

    PROVENANCE:
    Originally purchased from Galerie Dresdnere, Montreal in
    October 1958.

    LITERATURE:
    A. Macklin, ed., S.H. Raza Catalogue Raissone 1958–1971
    (Volume 1), New Delhi, 2016, p.?15, P154, illustrated.

    Corse is Raza’s homage to the small but beautiful French
    island of Corsica. Painted with the vibrant brushstrokes and
    rich palette that characterised his landscapes of this period,
    he has captured several of the island’s defining elements
    including the rugged mountains, the deep valleys, and the
    typical stone and brick houses that dot the entire
    landscape. Moving away from the more structured, formal
    landscapes of the early 1950s, it is around this period that
    Raza begins to fully discover and exploit the possibilities
    that colour, and oil paint in particular, offered.

    Describing the dense, rich landscapes of this period,
    Richard Bartholomew states, ‘Colour is the legend to each
    of these landscapes, because in each painting the flesh and
    form of colour are organic to the skeletal structure, we see
    the anatomy but not the division of the drawing. Therefore,
    there is no seductive line to give you the sense of the thing.
    Trees, houses, roads, streams, the undulations of the land,
    the falling shadows, the perpendicularity, the levelness, the
    foreground, and the horizon all shift and throb with the life
    of colour, and the scene is not static. There is hardly a patch
    of colour that is passive… What Raza really shows us of a
    landscape is what we would remember of it.’ (Richard
    Bartholomew, ‘Paintings by S.H. Raza’, Thought, May 16,
    1959, reproduced in Richard Bartholomew, The Art Critic,
    New Delhi, 2012, p. 339)

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