Page 392 - EW September 2023
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Teacher-2-Teacher



         School education


         cinema verite


                                                                        DR. PRASHANT NARANG




              EDUCATION IS NOT THE FILLING OF A PAIL,     Through their contrasting narratives,
              but the lighting of a fire.” This quote by W.B. Yeats   two movies compel us to reflect on the
              sets the stage for exploration of two Indian films
         “— Maassab (2018) and Roughbook (2016). These    condition of K-12 education in India.
         cinematic narratives, while set in the backdrop of class-  They force us to confront uncomfortable
         rooms, transcend the confines of K-12 education to reflect
         larger societal paradoxes.                       truths and inspire us to strive for change
            In the heart of rural India, in Khurhand village of
         Banda district, Bundelkhand, we meet Ashish Kumar, the   and students carving out an alternative path through
         protagonist of Maassab. A Dalit who has sacrificed the al-  private tuition. This success story prompts introspection
         lure of the Indian Administrative Service, Ashish chooses   about the mainstream system, underscoring the transfor-
         the path less travelled to teach in a government school.   mative power of competition. It’s a testament to the adage
         His character is a throwback to the patriotic heroes of the   that necessity is the mother of invention. It’s a beacon of
         1970s, brimming with idealism. He is the type of teacher   hope that shines brightly, illuminating the path to a better
         who works on Sundays, spends his salary on midday   education system.
         meals, and brings a laptop to the classroom. Yet, his ef-  Against this backdrop, which system would allow an
         forts are like a single lamp trying to illuminate a cavern-  average student to learn chosen subjects well, without a
         ous abyss of systemic corruption and apathy.     super idealistic teacher rebelling against the system? Per-
            The government school system, as portrayed in Maas-  haps the answer lies in schools like the Muni Interna-
         sab, is a hollow shell. Funds meant for education are   tional School, Uttam Nagar, Delhi. A movie show-
         routinely misappropriated, teachers are absent or send   casing its approach could provide a blueprint for a more
         proxies, and students are deprived of basic amenities,   effective, inclusive, and sustainable education system.
         including midday meals. The system is so broken that   budget private school (BPS) that is consistently high
         it seems beyond repair. It’s a grim picture that leaves   A ranked in the annual EducationWorld India Super
         viewers with a sense of despair and disillusionment. The   Budget Private Schools league table, Muni International
         transformation of such a system hinges on the arrival of a   is a shining example of alternative schools that prioritise
         messianic figure, the exceptional teacher. But reliance on   student-centric learning. Its pedagogy encourages stu-
         extraordinary individuals is not only unrealistic, but also   dents to explore their interests, fosters critical thinking,
         unsustainable. It’s akin to waiting for a superhero while   and promotes genuine love for learning. It doesn’t rely on
         the city burns.                                  extraordinary teachers, but empowers ordinary teachers
            Contrast this with the bustling cityscape of Rough-  to do extraordinary things.
         book, where we encounter Santoshi, a physics teacher in   Through their contrasting narratives, Maassab and
         a private school. She is a rebel in her own right, prioritis-  Roughbook compel us to reflect on the condition of K-12
         ing concept clarity over syllabus completion. Yet, she is   education in India. They force us to confront uncomfort-
         caught in the crosshairs of a system that values market   able truths and inspire us to strive for change. They serve
         demands over education ideals. During her interview,   as a stark reminder that the future of our nation lies in the
         the principal solicits her opinion of the education system   hands of our educators and the system within which they
         and then justifies demand-driven focus on exams and   operate. It’s a call to action for all stakeholders — policy-
         grades. But the question that haunts her — and us — is   makers, educators, parents, and students — to cooperate
         why parents want what they want. The answer, though   and reshape the future of education in India.
         not discussed in the movie, ironically, lies in the govern-  Viewed in a larger perspective, these movies are not
         ment’s creation of high stakes board and entrance exams,   just about education, but about the very fabric of Indian
         shaping parental expectations, pressure and perpetuating   society. They are about the choices we make, the values
         the cycle of rote learning.                      we uphold, and the future we should envision. They are
            The private education system, as depicted in Rough-  about the power of individuals to make a difference, and
         book, is a well-oiled machine. It functions efficiently, but   the collective responsibility we all share to shape our
         at the cost of genuine learning. It’s a system that churns   world. They are testament to the transformative power of
         out students well-versed in the art of passing exams, but   education, and a reminder of the work that needs to be
         without deep understanding of subjects they study. It’s a   done. They are, in essence, a call to action — a call to light
         system that caters to the demands of the market, but fails   fires, not fill pails.
         to ignite curiosity and creativity in students. However,   (Dr. Prashant Narang is Senior Fellow (Research & Training Programs) at
         Roughbook concludes on a hopeful note, with the teacher   the Centre for Civil Society, Delhi)


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