Page 7 - 荷器 林智斌工藝邀請展

Preface

From Rock of Zen to Lotus Remnants:

Lin Jhih-bing’s Aesthetic Journey

Lin Jhih-bing devoted himself into professional sculptural work for more than a decade after graduating from the Department of Sculpture
at National Taiwan University of Arts. During which, he successfully snagged a silver medal in sculpture category of the National Art
Exhibition. His journey continued as he began immersing himself deeply in ceramic creations. I met Lin in the 6th Taiwan International
Gold Teapot Prizes in 2016. It was his first foray into a ceramic competition and exhibition. He deservingly won a silver award for his
incredible “Monologue by the Brook,” and I was awestruck by the creative perspectives of the panel judges and author, and the depth of
their resonant impression with the Zen aesthetics in the art of tea.
“Monologue by the Brook” is a creative breakdown process by the author to explore the inner workings of a teapot, and the relationship
between a vessel and mankind as he meticulously brings to life the texture and symbolic significance of a rock. It’s the ultimate expression
of “Rock of Zen.” Not long after, Lin took another perspective and created a series of work, themed after “Lotus Remnants,” which
garnered for him an honorable mention in the National Brand Yushan Award, a merit mention in Nanying Award, the top award in the
crafts category of Da Dun Fine Arts Exhibition of Taichung City, and first prize in the prestigious Taiwan Craft Award. These recognitions
provided a grounding for Lin’s ceramic work and creative output.
“Rock of Zen” marries nature with humanities to highlight one’s insight into the transience of life, the universe and self. “Lotus Remnants”
offers an appreciation for imperfections, abnormalities, and for temporality in so-called “fragmentary aesthetic.” It’s also an expression of
defiance against mainstream value systems and beauty standards to challenge societal definition and expectations of perfection and
success. From “Rock of Zen” to “Lotus Remnants,” the author continues to imbue his feelings and reflections into the creative process. His
sensory response and curiosity about nature also transcends into a respect for - and reflection on – life itself.
This solo exhibition is a significant milestone for Lin, as this is his first time publishing an art album. “The Vessels of Lotus” is, in fact, the
aesthetic integration of “Rock of Zen” and “Lotus Remnants,” to achieve Lin’s creative ideal in “Zen of Lotus.” Lotus signifies cleanliness,
beauty and spirituality. It sprouts and flourishes from mud, yet it’s not tainted by the filth of its growth environment. The vessel denotes
solidity, constancy and eternity, which is impervious to the changes and erosion of time. By combining the two, Lin pays homage to life’s
multiplicity and resilience, and stays steadfast in his pursuit for harmony in nature.

“Vessels of Lotus” is homonymic of “agreeability,” which communicates the message of respect, tolerance and harmony, and an attitude
defined by innovation, openness and greatness. As these principles are integrated in the creative pieces, they are translated into an
exploration of new creative paths, methods and forms, and the acknowledgment of different viewpoints and culture. “Vessels of Lotus”
also denotes “carrier.” Everyone is blessed with his or her “vessels of lotus,” containing their hopes and dreams. It’s now a matter of carrying
them forward and putting them into practice with one’s forbearance and conviction.

The author creates a glossary of mesmerizing and colorful artistic expressions through “vessels of lotus” – a deceptively simple yet versatile
creative approach. Besides highlighting his passion and talent, these pieces also recognize his deep concern for current affairs. It’s hoped
that this exhibition would resonate with every viewer, and provide a path to finding your own “vessels of lotus” that will overflow with joy
and blessings.

Paul Yu.
Taiwan Ceramic Society Honorary Chairman

5