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John and Celeste Fleming at Bingling si, 1981
A TRIBUTE TO JOHN AND CELESTE FLEMING
John Fleming and his wife, Celeste, were among the most Their underpowered bus could not always carry its passengers over
generous and intellectually curious couples imaginable. Happily the cleared rock slides, so they would be forced to clamber over the
for the denizens of Denver, Colorado, they settled there after John rocks and through the dust of the bulldozed areas. John and Celeste
completed his service as the radiologist for the Navy in Japan 1957. were even then not young; I admire greatly the energy and bravery
By then, they were committed to Japanese aesthetics and a love of with which they pursued their intellectual curiosity about Asian art
South and South East Asian art. The Denver Art Museum profited and culture in the face of such a perilous journey.
from their generosity, as did other organizations in Denver, including
the Asian Performing Arts of Colorado. Their house also reflected their special spirit and character. It was
a relatively small house built in a style reflecting their love of the
I first met Celeste and John Fleming at a symposium on Early Japanese aesthetic, gained during their early married life when John
China organized by our mutual friend, Julia White, at the Denver Art served there in the Navy. The house was built of carefully crafted
Museum. Celeste, ever hospitable, took us both to lunch. She was wood and roofed with Japanese tiles applied by craftsmen brought
overjoyed to hear that my husband, John Curtis, and I had recently over for the construction. Automobiles were another passion of John
left China over the Karakorum Highway in May 1989. The term Fleming, and in order not to detract from the Asian aesthetic of the
“Karakorum Highway” was a serious misnomer in those days; the house, John caused the housing of his collected cars to be enclosed
road was a one-lane “highway” carved into the side of the canyon in berms covered with beautifully landscaped grass. The interior of
formed by the Indus River, with a drop of the other hundreds of feet the house provided a perfect backdrop for their collection of prints
on one side. It was prone to avalanches from the mountain side, and paintings, Chinese metalwork and Ming furniture, which reflected
which usually stopped traffic for hours while the road was cleared the aesthetic of their home. This same sensibility is present in the art
by bulldozers kept at the ready for that purpose. John and Celeste and artifacts they donated to the Denver Art Museum.
had a particularly grueling trip up the Karakorum Highway from the
Islamabad at a time of frequent avalanches.
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