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Vessels’ in Annals of the King Sejong and Creation of Ritual Art in   Li Ruoqing 李若晴, ‘Zouyu ru xian: Ming Yongle “Zouyu tu” juan
            the Early Joseon), in Dongasia ui gungjungmisul: Kim Hongnam gyosu   kao xi’ 騶虞入獻:明永樂《騶虞圖》卷考析 (Zouyu as Tribute:
            jeongnyeon toeim ginyeom nonmungip東亞細亞之宮廷藝術:金紅男教授  Analysis of Painting of Zouyu from the Ming Yongle period), Nanjing
            退休紀念論文集 (Court Art in East Asia : Collection of Essays   yishu xueyuan xuebao 南京藝術學院學報 (Journal of Nanjing Arts
            Commemorating the Occasion of Professor Kim Hongnam’s Retirement),   Institute (Fine Arts & Design)), no. 3, 2012b, pp. 18–21.
            Seoul, 2013, pp. 256–79.                        Li Song 李松, ‘Beijing Fahaisi’ 北京法海寺 (Fahai (Sea of the Law)
          Lee Hui-shu, Empresses, Art, and Agency in Song Dynasty China, Seattle,   Temple in Beijing), Xiandai foxue 現代佛學 (Modern Buddhism), no. 4,
            2010.                                              1963, pp. 37–42.
          Lee Soomi 이수미, ‘Taejo eojin ui ‘jejak gwa bong an’ 태조어진의   Li Xian 李賢, Gurang ji 古穰集 (Collected Works of Li Xian), c. 1470,
            제작과 봉안 (Production and Installation of Portrait of King   e-SKQS.
            Taejo), Wang ui chosang gyeonggi geon gwa taejo iseonggye 왕의 초상,   Li Xiaocong, Réflexions sur l’occupation de l’espace dans le vieux Pékin, trans.
            경기전과 태조 이성계 (Joseon Royal Portraiture: King Taejo’s Image and   Victoire Suro, Beijing, 2002.
            the Gyeonggi Royal Portrait Hall), Jeonju, 2005, pp. 228–41.  Li Xieping 李燮平, ‘Yongle Yingjian Beijing gongdian tanshi’ 永樂營
          Lee Soomi 이수미, ‘Gyeonggi geon ui weonbonjeok seongkeok   建北京宮殿探實 (Research on the Construction of Beijing
            jaekeomto’ 경기전 태조어진의 원본적 성격 재검토 (Re–               Imperial Palace under Yongle’s Reign), in Yu Zhuoyun 于倬雲
            examining the Characteristics that Denote the Original Image of   (ed.), Zijincheng jianzhu yanjiu yu baohu 紫禁城建築研究與保護
            King Taejo at the Gyeonggi Royal Portrait Hall), Joseon wangsil gwa   (Research and Conservation of the Forbidden City Buildings), Beijing, 1995,
            jeonju 조선왕실과 전주 (Jeonju: The Origin of the Joseon Dynasty),   pp. 34–64.
            Jeonju, 2010, pp. 234–42.                       Li Zhaoxiang 李昭祥, Longjiang chuanchang zhi 龍江船廠志 (Longjiang
          Lee Soyoung and Leidy, Denise Patry, Silla: Korea’s Golden Kingdom,   Shipyard Treatise), Xuanlantang congshu xuji 玄覽堂叢書續集
            New York, 2014.                                    (Additional Collectanea from the Xuanlan Hall), vol. 117, facsimile of
          Lentz, Thomas W. and Lowry, Glenn D., Timur and the Princely Vision:   Jiajing (1522–67) edn, comp. Zheng Zhenduo 鄭振鐸, Nanjing,
            Persian Art and Culture in the Fifteenth Century, Los Angeles, 1989.  1947.
          Levathes, Louise, When China Ruled the Seas: The Treasure Fleet of the   Li Zhaoxiang 李昭祥, Longjiang chuanchang zhi 龍江船廠志 (Longjiang
            Dragon Throne, 1405–1433, Oxford, 1994.            Shipyard Treatise), original date 1553, ed. Wang Lianggong 王亮
          Li Bin 李斌, ‘Yongle chao yu Annan de huoqi jishu jiaoliu’, 永樂朝與  功, Nanjing, 1999.
            安南的火器技術交流 (The Exchange of Firearms Technology with   Li Zhenyu 李真瑜, Mingdai gongting xijushi 明代宮廷戲劇史 (History of
            Annam in the Yongle Period), in Zhong Shaoyi 鐘少異 (ed.),   Theatre in the Ming Court), Beijing, 2010.
            Zhongguo gudai huoyao huoqi shi yanjiu 中國古代火藥火器史研究   Li Zhihong 李志鴻, Daojiao tianxin zhengfa yanjiu 道教天心正法研究
            (Studies on Ancient Chinese Firearms), Beijing, 1995, pp. 147–58.  (History and Ritual: A Study of Tianxin Zhengfa), Beijing, 2011.
          Li Bozhong, ‘Was There a “Fourteenth-Century Turning Point”?   Li Zongwan 勵宗萬, Jingcheng guji kao 京城古蹟考 (Study of Ancient
            Population, Land, Technology and Farm Management’, in Paul   Traces of the Capital), 1745, repr. Beijing, 1981.
            Jakov Smith and Richard von Glahn (eds), The Song–Yuan–Ming   Liang Sicheng 梁思成, Yingzao fashi 營造法式 (State Building Standards),
            Transition in Chinese History, Cambridge, MA and London, 2003, pp.   Beijing, 1983.
            135–75.                                         Liang Sicheng and Fairbank, Wilma, Chinese Architecture: A Pictorial
          Li Dongyang 李東陽, Huai lu tang ji 懷麓堂集 (Collected Works of Huailu   History, Mineola, NY, 2005.
            Hall), 1516, e-SKQS.                            Liang Sicheng 梁思成, Qing Gongbu ‘Gongcheng zuofa celi’ tujie 清工部《工
          Li Dongyang 李東陽 and Shen Shixing 申時行 (eds), Da Ming Hui Dian   程做法則例》圖解 (Imperial Specifications for State Buildings in Qing
            大明會典 (Collected Statutes of the Great Ming) (DMHD), Dongnan   Dynasty), Beijing, 2006.
            shubaoshe facsimile of 1587 edn, Taipei, 1963.  Liang Sui 梁穗 (ed.), Jingdezhen chutu Yuan Ming guanyao ciqi 景德鎮出土
          Li He and Knight, Michael, Power and Glory: Court Arts of China’s Ming   元明官窯瓷器 (Yuan and Ming Imperial Porcelains Excavated at
            Dynasty, San Francisco, 2008.                      Jingdezhen), Beijing, 1999.
          Li Jie 李誡, Yingzao fashi 營造法式 (Treatise on Architectural Methods),   Liao Baoxiu 廖寶秀, ‘Xuande guanyao ciqi fengfuxing zhi yanjiu’ 宣
            Wenyuange Qinding Siku quanshu 文淵閣欽定四庫全書 (Wenyuan Copy   德官窯瓷器豐富性之研究 (Research into the Richness of Xuande
            of the Complete Library in Four Sections), Beijing, 2006.  Imperial Porcelain), Gugong xueshu jikan 故宮學術季刊 (The National
          Li Jinggeng 李精耕 and Huang Peijun 黄佩君, ‘Mingdai “Taigeti”   Palace Museum Research Quarterly), no. 1, 1998, pp. 87–154.
            mengzhu Yang Shiqi shiwen quxiang chutan’ 明代台閣體盟主楊  Liao Daonan 廖道南, Diange cilin ji 殿閣詞林記 (Notes on the Forest of
            士奇詩文取向初探 (On the Orientation of the Poetry and Prose of   Words [of the Hanlin Academy] and the Halls and Offices [of the Grand
            Yang Shiqi, Leading Figure of the ‘Grand Secretariat Style’),   Secretaries]), 1545, e-SKQS.
            Jiangxi shehui kexue 江西社會科學 (Jiangxi Social Sciences), no. 11,   Liao Yang 廖暘, ‘Qutansi Qutandian tuxiang chengxu suyuan’ 瞿曇
            2008, pp. 113–17.                                  寺瞿曇殿圖像程序溯源 (The Origins of the Iconographical
          Li Kangying, The Ming Maritime Trade Policy in Transition, 1368 to 1567,   Program of the Wall-Paintings in Qutan Temple of Qutan
            Wiesbaden, 2010.                                   Monastery), Gugong bowuyuan yuankan 故宫博物院院刊 (Palace
          Li Kehe 李克和, ‘Zhu Quan quxue yanjiu’ 朱權曲學研究 (A Study of   Museum Journal), no. 6, 2012, pp. 96–121.
            Zhu Quan’s Theories on Qu Arias), in Ming Qing qulun ge’an yanjiu 明  Liew Foon Ming, ‘The Luchuan-Pingmian Campaigns (1436–1449) in
            清曲論個案研究 (Case Studies on Ming and Qing Theories on Qu Arias),   the Light of Official Chinese Historiography’, Oriens Extremus, vol.
            Beijing, 2010, pp. 1–26.                           39, no. 2, 1996, pp. 162–203.
          Li Qianlang 李乾朗, ‘Changling Ling’endian’ 長陵祾恩殿 (The Hall   Liew Foon Ming, The Treatises on Military Affairs of the Ming Dynastic
            of Eminent Favour of the Changling Tomb), Zijincheng 紫禁城   History, (1368–1644): an annotated translation of the treatises on military
            (Forbidden City), no. 5, 2009, pp. 18–25.          affairs, chapter 89 and chapter 90: supplemented by the treatises on military
          Li Rongxi (trans.), The Great Tang Dynasty Record of the Western Regions,   affairs of the draft of the Ming Dynastic History: a documentation of
            Berkeley, 1996.                                    Ming-Qing historiography and the decline and fall of the Ming Empire,
          Li Ruoqing 李若晴, ‘Yanyun ru hua – Beijing bajing tu kaoxi’ 燕雲入畫   Hamburg, 1998.
            – 北京八景圖考析 (The Capital in Painting – A Study of the Eight   Lin Meicun 林梅村, ‘Zhubao yishu yu Zhongwai wenhua jiaoliu’ 珠寶
            Views of Beijing), Xin meishu 新美術 (New Arts), no. 6, 2009, pp. 27–35.   藝術與中外文化交流 (The Art of Jewellery and Cultural
         Li Ruoqing 李若晴, ‘Yutang yiyin: Xingyuan yaji tu juan kaoxi’ 玉堂遺  Exchange), Kaogu yu wenwu 考古與文物 (Archaeology and Cultural
            音: 《杏園雅集圖》卷考析 (Remaining Sounds from the Jade Hall:   Relics), no. 1, 2014, pp. 76–88.
            Analysis of the Elegant Gathering in the Apricot Garden Scroll), Meishu   Lin Sheng-chih 林聖智, ‘Mingdai Daojiao tuxiangxue yanjiu: Yi
            xuebao 美術學報 (Art Journal), no. 4, 2010, pp. 60–9.  Xuantian ruiying tu wei li 明代道教圖像學研究: 以《玄帝瑞應圖》為
         Li Ruoqing 李若晴, ‘Xia er xiang feng – “Mingren hua ruiying   例 (Daoist Iconology of the Ming Dynasty – With Auspicious
            tujuan” kaoxi’ 遐邇向風:《明人畫瑞應圖卷》考析 (Analysis of the   Responses of the Dark Emperor as a Case Study), Meishushi yanjiu jikan 美
            Ming Painting of Auspicious Responses), Meishu yanjiu 美術研究 (Art   術史研究集刊 (Taida Journal of Art History), no. 6, 1999, pp. 133–91.
            Research), no. 1, 2012a, pp. 42–6.              Lin Yeqiang 林業強, ‘Ming Qing paofu longwen zashuo’ 明清袍服龍



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