Page 16 - A MONUMENTAL GILT-BRONZE BUTTER LAMPS IN TIBETAN BUDDHIST RITUALS

COURT RITUAL OBJECTS: LAMPS OF ENLIGHTENMENT

Luo Wenhua

Researcher at the Palace Museum, Beijing

Butter lamps are important ritual objects in temples laden Secondly, there is a Jingtai six-character mark, which is a
with symbolic meaning. They were a characteristic marker of manifestation of its status as an object from the Imperial
temples before the Ming and Qing dynasties and are now often workshops. Ritual objects carrying the Jingtai mark are
seen in Tibetan Buddhist temples. extremely rare, making this object extremely precious. The mark
is cast on the exterior of the upper part of the butter lamp in
This gilt-bronze butter lamp was passed down through the regular kaishu calligraphy that is both delicate and understated,
centuries until it was sold by Spink & Son Ltd., London to an typical of marks from the palace. As Michael Henss has noted,
English private collector in the 1960s-1970s, and then later Ming court ritual objects often have three different types of
sold in 1983 at a London auction house to Compagnie de la marks: ‘Da Ming [...] nian zhi’ (大明 [...] 年製), ‘Da Ming [...]
Chine et des Indes, Paris who owned it until 1990, at which nian zao’ (大明 [...] 年造), or ‘Da Ming [...] nian shi’ (大明 [...] 年
time it was sold to a European private collector, who kept it until 施). For example, gilt-bronze statues and ritual objects from the
2014 when ownership passed to Holland based Bodhimanda Yongle and Xuande reigns often have the mark ‘Da Ming Yongle
Foundation. In 2006/7 and between 2010 and 2015 it was (or Xuande) nian shi’ (大明永樂年施) six-character mark, and
exhibited on loan to the Wereldmuseum (World Museum) in are often written from left to right, in opposition to the tradition
Rotterdam. 1 of writing them from right to left, for reasons unknown. These
ritual objects were often preserved in Tibetan areas and were
This gilt-bronze butter lamp has two unique features. Firstly, often made as tributary gifts to the Emperor from the Dalai
it’s massive size; it is approximately 102cm in diameter and and Panchen Lamas, which explains why they often appear at
height, of standard form and gilded with a deep gold. So far the Imperial Court. The main purpose for which these objects
such large gilt-bronze butter lamps have only been seen by the were cast was to bestow as gifts and not made for the maker’s
author in written records. In Qinghai Province, in the Ledu area own use, hence the use of ‘bestow’ (shi 施) in the mark. The
of Haidong city, traces of large bronze ritual objects such as ‘manufactured’ (zhi 製) character in the present object’s mark,
this butter lamp, can still be seen in the restored Qutan Temple makes clear, however, that the butter lamp was made for use
originally built between the Hongwu and Xuande reigns of the at the Imperial Court and not made for the aim of bestowing
Ming dynasty. In the Qutan Hall and Baoguang Hall of the Qutan as a gift to a Tibetan monastery. According to the collected
Temple, one can still see a large round pedestal made during materials of the author, among those objects in the Palace
the Ming dynasty between the Yongle to Xuande reigns made Museum, Beijing with ‘zhi’ and ‘zao’ marks, most have the ‘zhi’
for holding a large ritual object, such as the bronze butter lamp, mark, with no significant difference in meaning. (see figs.1-4,
except the sizes are different. The stone pedestal has obvious opposite page). From this we can see that the butter lamp
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grooves, so that a butter lamp could be inserted and not easily most probably was produced under supervision in the Imperial
moved (see p.19). The stone pedestal before the Baoguang workshops, for use in an Imperial temple or temple near the
Hall is even larger in diameter, but the original ritual object has Imperial capital for use by the royal family.
been lost. Now the monks place on it butter lamps and replica
Buddhas (see pp.16-17). From this we can infer that at the The six-character mark on the butter lamp is remarkable. By
time when this large gilt-bronze butter lamp was made for a looking at the object closely, it is easy to see that the sections
temple, it would have been placed on a large stone pedestal. with ‘Jingtai’ and ‘zhi’ were cast separately and later inserted.
We can also infer that the monasteries that used these lamps The author argues that this butter lamp was probably cast
had to have a spacious enough main hall compatible with during the Zhengtong reign (1436-1449) but the reign mark was
them. Because of its huge size it would not have been easy to changed and mended during the Jingtai reign (1449-1457).
transport and so was most likely made for an Imperial temple or
a temple in the vicinity of the capital. Michael Henss has argued
that these ritual objects were most likely made in the Imperial
workshops for a temple in the capital. 2

14 | BONHAMS