Page 57 - China's Renaissance in Bronze, The Robert H.CIague Collection of Later Chinese Bronzes 1100-1900
P. 57

ALLED  A  TOUHU,  OR  PITCH  POT,  this tall,  imposing  vessel  served
             as the  target  for  the  arrow-throwing  game,  popular  from  antiquity
      C through the     Qing  dynasty.  The  most  striking feature  of the vessel  is
       the  arrangement  about  its  mouth  of  four  'ears,'  or  cylindrical  appendages,
       that  served  as the  actual  targets  of the  game.  Two  of  the  four  identically
       shaped  and  decorated  ears  have  their  thickened  rims  at the  same  height
       as the vessel's  mouth; the  other two  stand  a  little  lower, their tops  reaching
       the  midpoint  of the  upper  pair. The  elongated,  cylindrical  neck  boasts  two
       high-relief  chi  dragons  striding  about  its  midsection  on  a  plain  ground,
       each  with  a tail segmented  into three  scrolling flourishes;  the  upper  dragon
       has  its  head turned  to  look  straight  up,  while  the  lower  one  is  positioned
       to  look  straight  down.  Four  wedge-shaped  vertical  flanges  with  rounded
       outer  edges  segment  the  compressed  globular  body  into four  rectangular
       compartments.  Each  flange  falls  midway  between  two  of the  appendages
       at the top  of the vessel;  if the tubular appendages  represent the four  points
       of the  compass, the flanges would  represent  the  points  between. The  wide,
       tall  base  that  supports  the  vessel  rises  in two  stages,  the  lower  one  with
       decorated  inclined  walls  set  atop  a thickened footring,  and the  upper  one
       with  decorated  concave  walls  that  spring  from  the  flat  shoulder  atop  the
       lower  stage.  Apart  from  the  chi  dragons  about  the  neck,  the  principal
       decorative  motif  consists  of  four  taotie  masks  set  against  grounds  of
       squared  leiwen,  one  mask  in each  of the  rectangular  compartments  around
       the  belly  of the  vessel.  Diaper  patterns  and  small  chi  dragons  enliven  the
       remainder  of the vessel. The  uppermost  decorative  band,  on the  neck  and
       its  four  appendages,  includes  a  row  of  coiled  C-dragons  in  thread-relief,
       while the  lower  portion  of the  appendages  and the  corresponding  section
       of  the  neck  have  a  band  of  squared  leiwen  diapering  set  on  a  diagonal.
       Diapering  arranged  in  a  leiwen  meander  embellishes  the  next  section
       down  on the  neck. The  relief  chi  dragons  occupy  the  central  portion  of  the
       neck,  bordered  at the  top  by  a wide,  relief  band  and  at the  bottom  by  a
       rounded,  relief  ridge.  A  band  of  leiwen  set  on  a diagonal,  each  leiwen  with
       a  swastika  at  its  center  [see  4],  decorates  the  lowest  register  of the  neck.
       Below the three  steps  surrounding the  base  of the  neck,  four  descending,
       /e/wen-embellished  lappets  divide  the  shoulder  into  four  compartments,
       each  compartment  with  a  low-relief  striding  chi  dragon  that  looks  back
       over  its shoulder.  Each  small  chi  dragon  is centered  over  a vertical  flange;
       each  lappet  is  centered  below  a  tubular  appendage  and  above  a  taotie
       mask.  Divided  into four  compartments  by  relief  vertical  bands  -  with  each
       compartment   centered  on  a  flange  -  the  concave  walls  of  the  upper



                                     T H E  R O B E R T  II.  C L A G U E  C O L L E C T I O N  5 3
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