Page 72 - China's Renaissance in Bronze, The Robert H.CIague Collection of Later Chinese Bronzes 1100-1900
P. 72

OUNTED   ON  A  LIGHTLY  S P L A Y E D ,  CIRCULAR  FOOT,  this  gui-
                              shaped  censer  of  raised  copper  has  a  circular  bowl  whose  walls
                      Mgently        constrict to form the  neck, and then flare  slightly to  define
                      the  mouth. Attached  cast  bronze  handles  appear  at  right  and  left;  deco-
                      rated with  a projecting spur  at the  bottom,  and with flame-like tufts  of fur
                      and  ring-punched  texturing  along  their  sides, the  ring  handles  issue  from
                      the  mouths  of  maned  mythical  animal  heads.  Originally  gilded,  plain  relief
                      bands  divide  the  vessel  surface  into  three  horizontal  registers,  each  with
                      low-relief  decoration  set  against  a textured  ground.  Encircling the  swollen
                      belly  of the  censer,  the  principal  band  features  six  fanciful  sea  creatures,
                      or  haishou,  arranged  in two  symmetrical  groupings,  on  a ground  of  rolling
                      waves,  each wave  comprising three,  four,  or five  concentric  arcs,  as  space
                      allows;  breakers  appear  on either  side  of the  handles  and  at the  bottom  of
                      the  register,  while  raised  circular  dots,  seemingly  randomly  placed  among
                      the  waves,  suggest  sea foam.  A  fe/yu, 1  or flying  fish-dragon,  rises  upward
                      in the  center  of  each  side,  occupying  the  place  of  honor  and  standing  as
                      the  principal  decorative  emblem.  On  one  side,  the  long-snounted,  single-
                      horned, fish-tailed  feiyu  looks toward its proper  left, its outspread  feathered
                      wings  resembling  those  of  a  bird,  its  stout  body  resembling  that  of  a fish.
                      Flanking  the  feiyu,  two  hoofed  quadrupeds,  each  shown  in  profile,  gallop
                      toward the center  of the register; the winged equine on the (viewer's)  right,
                      probably  a  haima  (literally,  'sea  horse'),  gazes  directly  ahead  at  the  fe/yu;
                      the wingless equine-like animal on the left, perhaps  a qilin (due to  its  seem-
                      ingly  cloven  hooves),  looks  over  its  shoulder,  towards  it tail. Although  the
                      central  feiyu  on the  other  side  of the  censer  also  has  a long snout,  a  bipar-
                      tite  fish tail,  and  a scale-covered  body,  it  differs  from  the  first  in  having  a
                      two-pronged  horn,  a  lithe,  dragon-like  body,  and  wings  resembling  those
                      of  a bat;  it also varies from the first  in having  a two  pairs  of fins  -  a  caudal
                      pair  and  a ventral  pair  under the  wings  -  and  in  looking toward  its  proper
                      right. Two  striding,  maned,  lion-like  animals  with  carefully  detailed  spines
                      flank  the  feiyu,  each  shown  in  three-quarter  view  from  above  and  each
                      looking  inward toward the  awesome  fish-dragon;  the  hornless,  ruy/-nosed
                      creature  on the  viewer's  left  might  be  a  lion  [shizi; compare  43], while  the
                      single-horned,  fox-snouted  one  on the  right  might  be  a  baize  or  a  b/x/e. 2
                      Wisps  of flame  emanate  from  all  six  animals,  signaling  their  extraordinary
                      powers.  On  both  faces  of  the  censer  a  bird  flutters  on  either  side  of  the
                      feiyu,  separating  the  benevolent  creature  from  its  attendants.  The  top
                      register  of  decoration  has  two  pairs  of  highly  stylized,  confronting  birds,
                      one  pair  on  either  side  of the  censer;  the  butterfly-like  motif that  appears


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