Page 121 - Himalayan Art Macrh 19 2018 Bonhams
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           The painting’s reverse contains a beautifully inscribed dedication   A THANGKA OF SYAMATARA
           referencing the Seventh Dalai Lama Lobsang Kelsang Gyatso,   TIBET, 19TH CENTURY
           suggesting a date of production within or soon after his reign period   Distemper on cloth.
           (1720-57).                                        11 7/8 x 8 5/8 in. (30.2 x 21.9 cm)

           “May the merit accumulated in the three times from creating this   $5,000 - 7,000
           painting enable us to spread Buddha’s teachings in general and
           specifically the teachings of Tsongkapa. May all the Teaching Holders
           in general and particularly Lobsang Kelsang Gyatso live long,   西藏 十九世紀 綠度母唐卡
           and [their] Dharma activity flourish widely. May all sentient beings
           experience temporary happiness and also quickly attain the stage of   This elegantly positioned Green Tara, the spiritual consort of
           the union of Vajradhara permanently.”             Avalokiteshvara, carries a lotus stem and flower on her palms and sits
                                                             on the white lotus throne with precious jewels in the foreground. Her
           The ‘merit accumulated three times’ mentioned in the inscription   ribbon-like scarf undulates on either side against the lapis blue aureole.
           refers to this painting being one of an initial set of three depicting
           the Buddhas of the Past, Present, and Future. Here Dipankara, the   The paradisiacal landscape is executed with subtle brown and green
           Buddha of the Past, is surrounded by an assortment of the Sixteen   washes. The techniques used to render the mountain ranges recall the
           Arhats and two guardian kings. The composition is a fine example   visual apparatus of Ming dynasty painting, as do the flowers. The color
           of the New Menri style developed by Choying Gyatso in the 17th   palette, composition, and figural forms reflect a distinct Tibetan taste.
           century. For a thangka of a Panchen Lama in the same style see Rhie
           & Thurman, Worlds of Transformation, New York, 1999, p.361, no.130.   Provenance
           See a complete set of the Buddhas of the Past, Present, and Future   Private Californian Collection
           rendered in the Palpung style of Eastern Tibet (HAR set no.1754).

           Provenance
           Moke Mokotoff, New York, 16 September 1995
           Private Florida Collection
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