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3063
           A GREEN SCHIST PANEL OF THE ENTREATY TO PREACH THE DOCTRINE
           SWAT VALLEY, CIRCA 3RD CENTURY
           22 x 17 3/4 in. (55 x 45 cm)

           $30,000 - 50,000
           斯瓦特 約三世紀 片岩梵天勸請佛陀說法圖

           With Brahma dressed as a sage positioned to his right and Indra in royal garb to his
           left, the scene depicts an important moment in the life of Buddha. As described in
           the Mahavatsu, after gaining enlightenment, Buddha was reluctant to teach what was
           revealed to him, concerned that his insights would be rejected by the world. Observing
           Buddha’s thoughts, Brahma rallied Indra and other gods to implore Buddha to preach
           and “set rolling the wheel of the dharma” (see Jones, The Mahavastu, Vol. 3., 1956,
           reprint, London: Forgotten Books, 2013, pp.302-9).

           As such, the scene is also an important moment in a larger narrative, foreshadowing
           the creation of the sangha and the wider spread of Buddhism. Furthermore, from
           the perspective of Buddhism’s growth in the ancient region of Gandhara, the panel
           didactically raises the Buddhist doctrine above competing for Brahmanic thought and
           practice, the latter being referenced in the two gods entreating Buddha.

           This scene, the use of green schist, and the two motifs of floral roundels within the throne
           and the richly carved boughs of the Bodhi tree above Buddha proliferated in the Swat
           Valley, surviving in numerous examples among the archeological record. Comparable
           pieces depicting the same subject and style are published in Luczanits, Gandhara:
           Das Buddhistische erbe Pakistans, Mainz, 2008, p.182, fig.3, and pp.203 & 237,
           nos.119c & 183. See also Ingholt, Gandharan Art in Pakistan, New York, 1957, no.71.
           Further examples were sold Christie’s, London, 16 June 1987, lot 371, and Christie’s,
           Amsterdam, 5 December 1989, lot 137. Also see Kurita, Gandharan Art, vol.I, Tokyo,
           1988, p.131, no.257.

           Provenance
           Heinrich von Brentano, Berlin, 1964
           Hans Battenburg, Dusseldorf
           Thence by descent
























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