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           A THANGKA OF BHAISHAJYAGURU
           CENTRAL TIBET, 14TH CENTURY
           Distemper on cloth.
           Himalayan Art Resources item no.58520
           20 7/8 x 18 7/8 in. (53 x 48 cm)

           $150,000 - 200,000
           西藏中部 十四世紀 藥師佛唐卡

           This important painting depicts the Medicine Buddha, Bhaishajyaguru, with an intense
           sapphire blue. He holds a medicine bowl and a myrobalan plant in his apricot colored
           palms. The flawless execution of details, chromatic diversity, and iconographic variety
           enhances the richness of this composition. What is unusual about this painting is the
           placement of Bhaishajyaguru’s attendants, Suryaprabha and Candraprabha. Instead of
           flanking the Medicine Buddha, they are placed on either side of the rainbow arch while
           two disciples in monastic attire flank the central figure.

           Prajnaparamita, the personification of wisdom, is directly above Bhaishajyaguru, while
           the space around him is filled with repeated Shakyamuni Buddhas to enhance the
           painting’s religious efficacy. Descending in the outer registers are the Ten Dikpalas on
           their characteristic mounts and the Twelve Yakshas.

           In the Bhaishajyagurusutra, cited in the 8th-century tantric Manjusrimulakalpa,
           Bhaishajyaguru vowed that those who utter his name would be cured of diseases. This
           sutra describes methods by which one may gain merit from Bhaishajyaguru, which
           include merely thinking of his name, reciting the sutra, or creating an image of him.

           The rainbow arch is a leitmotif in 13th-/14th-century portrait thangkas of early Kagyu
           masters. Compare with numerous examples for instance in Jackson, Painting Traditions
           of the Drigung Kagyu School, New York, 2015, ch.5, pp.75-99. The arch indicates
           that this painting would have also been commissioned for an initial setting like Drigung,
           Taglung, or Densatil monastery.

           Compare this thangka more specifically with other significant examples published in
           Pal, Himalayas: An Aesthetic Adventure, Chicago, 2003, p.192, no.125 (Fig. 1); Rhie
           & Thurman, Wisdom and Compassion, London, 1991, p.417, no.162; and sold at
           Sotheby’s, New York, 20 March 1997, lot 79.

           Exhibited
           Masterworks: Jewels of the Collection, Rubin Museum of Art, New York, 4 February 2015
           - 11 January 2016.

           Provenance
           David Tremayne Ltd, London, 30 June 1987
           Private European Collection










           Fig. 1
           Thangka of Bhaishajyaguru, the Medicine Buddha
           Central Tibet, 13th/14th century
           Pigment and gold on cotton
           Kate S. Buckingham Fund
           The Art Institute of Chicago (1996.29)


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