Page 9 - Himalayan Art Macrh 19 2018 Bonhams
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3002
           A SILVER AND COPPER INLAID GILT
           BRASS ALLOY FIGURE OF BUDDHA
           TIBET, 12TH/13TH CENTURY
           Himalayan Art Resources item no.61534
           5 7/8 in. (15.2 cm) high

           $10,000 - 15,000

           西藏 十二/十三世紀 錯銀錯紅銅佛坐像

           This early bronze commemorates
           Shakyamuni’s victory over Mara. Silver
           inlay is used within the eyes to emphasize
           his enlightened awakening. The appealing
           proportions of the chest and head are
           complemented by a skillfully modeled lotus
           bud rising from the ushnisha. These features,
           combined with the distinctive base, point to
           a close relationship with the Pala style; a pair
           of lions support the throne in an intermediary
           layer with openwork patterns in the round.
           Openwork would have been unsuited to
           Tibetan ritual requirements for consecration,
           but at a later point, a rolled prayer scroll was
           inserted into the bronze’s interior, and the
           base was fitted with copper consecration
           plates.

           This type of base also informed the early
           bronzes of the Kagyu order, evinced in portrait
           sculptures, before the double lotus format
           rose to prominence by the 14th century (cf.
           two examples recently sold at Bonhams,
           New York, 14 March 2016, lot 10 & 14 March
           2017, lot 3233).

           Provenance
           Private West Coast Collection, acquired in
           London, early 1990s
           Private Collection, Los Angeles






           3003
           A COPPER ALLOY FIGURE OF
           CROWNED BUDDHA
           KURKIHAR, PALA PERIOD, 11TH/12TH
           CENTURY
           Himalayan Art Resources item no.61540
           3 7/8 in. (10 cm) high

           $3,000 - 5,000

           庫基哈爾 帕拉時期 十一/十二世紀 戴冠銅
           坐佛

           Created for a private shrine, the bronze
           survives with a heavily propitiated,
           unencrusted patina, with dark accretions from
           the smoke of butter lamps in recessed areas
           suggesting it might have participated in the
           Second Transmission of Buddhism from India
           to Tibet (the Chidar, 10th-12th centuries).

           Provenance
           Private Collection, Canada
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