Page 18 - Vol_2_Archaeology of Manila Galleon Seaport Trade
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xviii                                                     Introduction

            during eighteenth century. Roberto Junco Sanchez, Guadalupe Pinzón, and Etsuko
            Miyata co-authored The Chinese Porcelain from the Port of San Blas, Mexico
            reported the latest discovery of the archaeological program on the San Blas seaport
            in 2016 and 2017. The authors analyzed the Chinese porcelain shards collected
            from the site including both mostly the Jingdezhen wares, and a few of Zhangzhou
            wares and Dehua wares. Most of these porcelains were dated from 1740 to 1780s
            perfectly !tting with the duration of the Maritime Department. Typologically, these
            ceramics covered both the traditional Chinese types as blue and white with “willow
            pattern” and red painting over glaze “Guanzai”, and some westernized types of
            ceramics as Western motifs painting pattern on the wares. Anyway, these materials
            added the new and important information to understand the transpaci!c commercial
            history of galleon trade.




















                                       Karime Castillo


              After arriving in New Spain by the galleon trade, the Chinese ceramics had
            passed from Acapulco to Veracruz through the New Spain, not only providing the
            elite with luxury goods, but also being the most important sources of inspiration
            influenced the local majolica potters of New Spain. A Study of the Chinese Influence
            on Mexican Ceramics by Karime Castillo and Patricia Fournier presented an
            interesting and enlightening comparing research on the ceramics cross-cultural
            exchange between Mexican and Chinese. This study focuses on the influence of
            Chinese porcelain in colonial Mexican majolica with a particular emphasis on
            ornament understood as a term that articulates both surface and decorative motifs.
            The paper reveals that the Chinese ornament was adopted and adapted by colonial
            potters into a style of their own, reflecting the insertion of majolica in which some
            of these Chinese elements had been abstracted to be part of the traditional Mexican
            majolica in the global networks of maritime cultural exchange.
              In brief, our international workshop on the archaeological investigations and
            researches of galleon af!liated seaports made a multiparagraph reconstruction of
            Spanish galleon transpaci!c navigation. Along this pan-Paci!c sea route, Yuegang,
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