Page 474 - Chinese pottery and porcelain : an account of the potter's art in China from primitive times to the present day
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298 Chinese Pottery and Porcelain

The Eight Happy Omens {pa chi hsiang) were among the signs

on the sole of Buddha's foot. They are usually drawn with flowing

fillets attached (Fig. 2), and they are as follows : (1) Lun, the

                    wheel or chakra, sometimes replaced by the bell

                    (chung). (2) Lo, the shell. (3) San, the State

                    umbrella. (4) Kai, the canopy. (5) Hua, the

                    (lotus) flower. (6) P'ing, the vase. (7) Yu,

                    the fish ; a pair of them.^ (8) Cliang, the

                    angular knot representing the entrails ; an
                    emblem of longevity. ^

                        The Seven Gems {ch^i pao) are: (1) Chin

                    lun, the golden wheel. Yu(2) nil, the jade-

                    like girl. (3) Ma, the horse. (4) Hsiang, the
                    elephant. (5) Chu ts'ang shin, divine guardian
                    of the treasury. (6) Chu ping cWen, general
                    in command of the army. (7) Ju i chu, the

                    jewels which fulfil every wish ; a bundle of

                    jewelled wands bound round with a cord.

                    The Pa an hsien, Attributes of the Eight

                    Immortals, as detailed above (p. 287), are

                    (1) Shan, the fan of Chung-li Ch'iian. (2)

                    HuChien, the sword of Lii Tung-pin. (3)  lu,

                    the gourd of Li T'ieh-kuai. (4) Pan, the cas-

                    tanets of Ts'ao Kuo-chiu. (5) Hua Ian, the
                    basket of flowers of Lan Ts'ai-ho. (6) Yu ku,
                    the bamboo tube and rods of Chang Kuo Lao.

                    (7) Ti, the flute of Han Hsiang Tzu. (8) Lien
                    hua, the lotus flower of Ho Hsien Ku.

                    The Po ku, or Hundred Antiques, is, as its

                    name implies, a comprehensive group including

                    all manner of symbols and symbolical orna-

                    ments, which were frequently grouped together

                    in panel decoration. Bushell ^ describes two

                    typical panels on specimens in the Walters

                    collection. One contained the apparatus of

Fig. 2.—The Pa chi  the scholar and painter, viz. books on tables,
                    brushes in vases, water pots and scroll pictures,
            hsiang

1 Also a symbol of conjugal felicity ; and a rebus for ya, fertility or abundance.
* Having the same sound as cli'ang (long).

» O. C. A., p. 119.
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