Page 150 - Nov. 27, 2019 Christie's Important Works of Art HK
P. 150

fig. 5A  Family Matriarch         fig. 5B  Empress Dowager Gongci, collection of the Palace Museum, Beijing
                        எ "  ទᐽ৅⡿㛑⎏⩞กᆨ㎜                            எ #  Ƕ່ক⑅ង᝷۬Ƿ⡿㛑卿࢈՗ᘢ༈ࢷ⁒㩴⻦৅



         Further examination of the female figures in the painting and based on the   ⲋה⊺ᛞ㧿լᙻ    ⯍    ჺԠ㧿卿㚣㿢ݯձ൴
         assumption that this painting was executed around 1844-1845, it is possible   ෽׿൷卿≾Ꮅ⛘ஶݯԋ⩢⎏㕇֍卿Քज⚲㇦⛘
         for other sitters to be identified.  If the central figure is Daoguang, the female   ٲ卿⯝㙣ݏႽ⎏༗ߏ㨸ؠᝤᛓӶ㈲⩧઀ǯߝ᫊ᓠ
         figures depicted alongside would be closely related to him.  Under this theory,
                                                                     ᙷ卿⋁ԋჺ⡕ᝬ㧩⩢ἃૃጻႽԠڬ◙ᛤŸ່࣊ক
         the elderly female depicted can be assumed as the Empress Dowager Gongci
                                                                     ⑅⎑ळ㟏△◍᭄卻         卼卻ॲ "卼ǯ
         (1776-1850) (fig. 5A).
                                                                     㩶᫉Ԡം卿ᬘ㖅㙚ᄻႚ㑌ٜᙇ✄Հׅ⛘ஶഺຽ
         A comparison of known images of the Empress Dowager and the figure seated
                                                                     ⯝༈ԋळ൉⫅۬卻ॲ #卼卿⎉→ݦ⩢Ԡ㧿卿ग
         second from the left on the veranda (figs. 5A&B) show a remarkable similarity
                                                                     ㇦㯫ᙹ⮬㧩卿ݦ㰋㱇ᶕ卿݄὞ൈऱӬ՞ǯ㘺⯺
         in the bone structure of the face, with high cheekbones, elongated face and wide
                                                                     ⩠㌴卿⯍ཐ㊯ᚺ⊺ԋႡᝳӲ՞⛾भ᳖ༀ⁞໸՞
         forehead. Thus the physiognomies of at least three main characters in this painting
                                                                     ⁒ᆨ㎜ǯݯձݰ㵲ݣᇤ⡿❥卿⢞㬳ڮ὞ႛभᏒ
         appear to align with their imperial family counterparts. The accumulation of data
                                                                     ⯎ǯႚठ׿⛁ഺຽ㫍㕇֍តᚺ卿࣐⬒ӬӬ㘃ߌ
         from mere observation of the pictorial information would suggests far more than
                                                                     ⩧㈛ǯ
         pure coincidence at work.
         For possible identification of the remaining ladies and children, see the expanded   ᝳ㨸ݯձ՞⁒㕇֍⩠㌴卿ᝳᝤ㊄⏌⎏எ㢙㏱ᙠ
         notes available for this lot.                               ᓽ؊ǯ

                                                           th
         He Shikui was an important court artist during the first half of the 19  century.   ㏫ӽ㷅卿ໃᾃᙔ卿ᖼ⫅۬⊺卿Ⴁ⒖ݯἃࢦԬӽ
         It is recorded that He Shikui was promoted in 1824 and served in the imperial   ⡕ӳࢮ⶟༈ԋ㞒㇝⎏ᇙ⊇⊺།卿Ԇսᖼ⊺؊⪰
         atelier, Ruyi guan (The Palace of  Wishes Fulfilled) for thirteen years. Imperial   ᙻ༈ᅡൈዪ㱦ǯǶݤ࡞ᄙ㙁㗤⽔पהᎰ᰻㈷᳖
         records note that one of Daoguang’s portraits,  Songliang xiajian tu (Emperor   ᨯĤൈዪ㱦१ᦍǷᝳ㖊㙣ݏ୨ჺ卻    卼卿㏫
         Daoguang under the Summer Pines) was painted by He Shikui and other court
                                                                     ӽ㷅⯝ݯձ⊺Ⴧഠ᚜ἃ㙣ݏ⎑Ⴝቯ⊺ᇙ༏卿᫉
         artists in the fourth year of Daoguang (1823).
                                                                     ࣊Ƕ៏Ე೽ڟஎǷ㕻ǯ







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