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PROPERTY OF A LADY 清乾隆 茶葉末釉荸薺扁瓶
《大清乾隆年製》款
A FINE TEADUST-GLAZED BOTTLE
VASE 來源:
INCISED SEAL MARK AND PERIOD 繭山龍泉堂,東京
OF QIANLONG 香港蘇富比2013年4月8日,編號3067
superbly potted with a compressed globular body 東京靜嘉堂文庫美術館藏相類瓶一對,見於
supported on a splayed foot, sweeping up to a 該館展覽《靜嘉堂藏清朝陶磁:景德鎮官窯
broad cylindrical neck and a rounded mouthrim, の美》,東京,2006年,編號109。另有一
covered overall with an olive-coloured glaze 例,錄於康蕊君,《玫茵堂中國陶瓷》,倫
flecked with a fine yellow mist, the glaze stopping 敦,1994-2010年,卷2,圖版936。還可參
neatly above the foot, the base incised with a six- 考倫敦維多利亞與艾爾伯特博物館藏品,其沿
character seal mark beneath a brown glaze, the 色較淺,載於柯玫瑰,《Chinese Ceramics.
rounded footring left unglazed and dressed in a Porcelain of the Qing Dynasty 1644-1911
brown wash, wood stand 》,倫敦,1986年,圖版25。第五例則見
33.8 cm, 13⅜ in. 於 John Ayers,《Chinese Ceramics in the
Baur Collection》,日內瓦,1999年,卷2,
PROVENANCE 圖版297。
Mayuyama & Co., Tokyo.
Sotheby’s Hong Kong, 8th April 2013, lot 3067.
HK$ 800,000-1,200,000
US$ 103,000-154,000
A pair of vases of this type in the Seikado Bunko
Museum, Tokyo, was included in the Museum’s
exhibition Seikado zo Shincho toji. Keitokuchin
kanyo no bi [Qing porcelain collected in the
Seikado. Beauty of the Jingdezhen imperial
kilns], Tokyo, 2006, cat. no. 109; one from the
Meiyintang collection is published in Regina
Krahl, Chinese Ceramics from the Meiyintang
Collection, vol. 2, 1994, pl. 936; another, but with
a pale rim, in the Victoria and Albert Museum,
London, is illustrated in Rose Kerr, Chinese
Ceramics. Porcelain of the Qing Dynasty 1644 –
1911, London, 1986, pl. 25; and a fifth example is
included in John Ayers, Chinese Ceramics in the
Baur Collection, vol. 2, Geneva, 1999, pl. 297.
Mark SOTHEBY’S 蘇富比
296