Page 66 - Bonhams, Fine Chinese Art, London November 3, 2022
P. 66

Superbly cast and meticulously decorated with multiple coloured   The combination of cracked designs interspersed with auspicious
           enamels, the present candlesticks are remarkable examples displaying   symbols, such as it can be noted on the drip pans of the present
           the high standards achieved in the Imperial workshops during the   candlesticks, is unusual. The cracked ice design was especially
           Kangxi reign.                                     popular on objects produced during the Kangxi reign. See for example,
                                                             a cloisonné altar set, Kangxi, comprising an incense burner, a pair of
           Figures of foreigners depicted with large rounded eyes and bushy   candlesticks and a pair of vases, decorated with prunus blossoms
           eyebrows have been a popular subject in Chinese art dating from at   on a cracked-ice ground, in the National Palace Museum, Taipei,
           least the Tang period, when the increased presence of foreigners in   illustrated in Enamel Ware of the Ch’ing Dynasties, Taipei, 1999, pp.97-
           China prompted a new fascination and a gradual stylisation of the   100, pls.26-28.
           image of the foreigner in Chinese art. Painters of Buddhist luohan and
           tribute missions to the Imperial Court continued the fascination with   Compare a pair of gilt-bronze cloisonné enamel ‘foreigner’
           the exotic in subsequent periods.                 candlesticks, Kangxi, which was sold at Sotheby’s Paris, 13 June
                                                             2016, lot 55. See also a related pair of cloisonné candlesticks
           The strong facial features, curly beards and hair held in place by a   supported by foreigners, portrayed in a similar stance and attired in
           curving metal fillet displayed by the present foreigners closely compare   similar garments as the present examples, Kangxi, which was sold
           with four small foreigners with bare chests kneeling to support a gilt   at Christie’s Hong Kong, 30 May 2012, lot 3906. A similar costume
           bronze and cloisonné enamel incense of burner, early Qing dynasty:   is also worn by a single cloisonné enamel and gilt-bronze kneeling
           see The Complete Collection of Treasures of the Palace Museum,   figure of a foreigner holding a shallow bowl, Kangxi, which was sold at
           Metal-Bodied Enamel Ware, Beijing, 2011, p.106, no.79. See also a   Sotheby’s, New York, 23 March 2004, lot 528. The sleeveless jacket
           related cloisonné candlestick supported by a kneeling foreigner, early   inlaid with a dragon rising from a band of waves recalls the traditional
           Qing dynasty, illustrated in Ibid., vol.2, p.139, no.104   Qing Court robes worn by the single cloisonné figure of a kneeling
                                                             foreigner holding up a sphere, Kangxi, which was sold at Christie’s,
                                                             Hong Kong, 26 April 1999, lot 561.













































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