Page 84 - Bonhams, Fine Chinese Art, London November 3, 2022
P. 84

Image courtesy of the Metropolitan Museum of Art, New York






           127  *
           A VERY LARGE AND RARE CLOISONNÉ ENAMEL ‘WATER     Incense burners of comparable size and with designs as the present
           BUFFALO AND HERDBOY’ INCENSE BURNER AND COVER     lot are rare. For a nearly identical but mirror image of this lot, a possible
           18th century                                      pair with this lot, see a cloisonné enamel ‘buffalo and boy’ incense
           The ‘water buffalo’ modelled standing with its head turned back, the   burner and cover, 18th century, in the Metropolitan Museum of Art,
           black body with pale patches and inlaid with wavy gilded cloisons   New York, acc.no.30.128.2a–c.
           representing the patterned skin and hair, surmounted by a gilded figure
           of a seated herdboy playing a flute, removable, as the cover of the   The refined quality of the enamels decorating the present buffalo and
           incense burner.                                   boy group highlights its skilful representation of an auspicious scene
           40.5cm (15 15/16in) long, 42.9cm (16 7/8in) high. (2).  in the natural world. The reclining buffalo, a symbol of strength and
                                                             tranquillity, is also associated with spring and agriculture because of its
           £20,000 - 30,000                                  role in pulling ploughs. According to scholarly research, from the Ming
           CNY160,000 - 240,000                              dynasty, buffaloes were often depicted at rest with their head turned
                                                             90 degrees, as seen in the present lot, to indicate that the world was
                                                             at peace; see J.C.S.Lin, The Immortal Stone, Cambridge, 2009,
           十八世紀 銅胎掐絲琺琅「牧童水牛」蓋爐                               p.51. As a familiar beast of the fields, the buffalo underpinned rice
                                                             production and the rural economy. As such, the creature is emblematic
           Provenance: Sir Michael Oppenheimer (3rd Baronet, 1924-2020) and   of agriculture and spring time and represents strength, endurance,
           Lady Helen Oppenheimer DD (1926-2022), and thence by descent   dedication to hard work, prosperity and tranquillity. When depicted
                                                             with a young boy riding on its back, this motif represents obedience
           來源:Michael Oppenheimer 爵士(三代從男爵,1924-2020年)       and serenity. Even a small child can ride an animal of this size and
           與Helen Oppenheimer爵士夫人(1926-2022年)舊藏,並由後人保        strength without fear.
           存迄今
                                                             Buffalos are also used in artistic representation, in particular Chinese
                                                             paintings, to evoke a bucolic, idealised existence in the countryside.
                                                             This in turn feeds into a more mythical or spiritual side to the buffalo,
                                                             recalling both Buddhist and Daoist concerns with simplicity and retreat,
                                                             and the founder of Daoism, the philosopher Laozi, who departed from
                                                             the borders of the known world on a buffalo.







                                                  For details of the charges payable in addition to the final Hammer Price of each Lot
           82  |  BONHAMS                         please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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