Page 37 - Sotheby's Imperial Chiense Porcelain Nov 4 2020 London
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            A DOUCAI ‘LOTUS AND CHRYSANTHEMUM’        清乾隆   鬪彩番蓮團菊紋蓋罐
            JAR AND COVER
            QIANLONG SEAL MARK AND PERIOD             《大清乾隆年製》款
            the finely potted ovoid body rising from a tapered foot to
            a rounded shoulder and an upright rim, embellished to the
            exterior with roundels enclosing pairs of red and yellow
            blooming chrysanthemum against leafy green grounds,
            alternating with lotus in red and yellow enamels borne on
            undulating leafy scrolls, all between bands of ruyi heads, the
            flat-topped cover similarly decorated to the centre with a
            chrysanthemum medallion, the sides adorned with four leafy
            lotus, the base with a six-character seal mark in underglaze
            blue
            (2)
            Height 11.9 cm,  4¾ in.
            ‡ £ 60,000-80,000

            Jars of this form painted in the subtle doucai palette
            with floral roundels, were inspired by porcelain ware
            made in the Chenghua period (r. 1465-1487). While no
            original example of this exact design appears to have
            been recorded, roundels of chrysanthemum are well
            known on Chenghua mark and period bowls and cups,
            such as a bowl excavated from the waste heaps of the
            Ming imperial kilns at Jingdezhen, illustrated in Imperial
            Porcelains from the Reign of Chenghua in the Ming
            Dynasty II, Beijing, 2016, pl. 155, together with a cup, pl.
            179.
            A closely related jar and cover, in the National Palace
            Museum, Taipei, is illustrated in Catalogue of Ch’ing
            Dynasty Porcelain, vol. 2, Tokyo, 1981, pl. 24; another
            in the Nanjing Museum, is published in The Official Kiln
            Porcelain of the Chinese Qing Dynasty, Shanghai, 2003,
            pl. 224; a pair in the Tianjin Museum, is illustrated in
            Porcelains from the Tianjin Municipal Museum, Hong
            Kong, 1993, pl. 177; and a further pair is published in Min
            Shin no bijutsu [Ming and Qing Art], Tokyo, 1982, pl. 170.
























            mark


            70       Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstances).    71
                     Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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