Page 70 - Bonhams Image of Devotion Hong Kong December 2, 2021
P. 70

The sculpture was created in the artistic idiom of Jebstundampa Khutukhtu
           Zanabazar (1635–1723), a Mongolian religious leader and master artist renowned
           for creating a unique style that incorporates elements from Newari, Chinese,
           and Pala sculptural traditions. Works in the Zanabazar style are characterized by
           lustrous gilding, smooth contours, as well as perfect proportions and details, as
           seen in the present figure. The fine arches of Amitayus’ brows and his aquiline
           nose are also hallmarks of the Zanabazar school, as are the distinct lotus petals
           modeled in the round, with broad inner petals with upturned tips on top of
           identically-shaped, larger outer petals.

           The current lot compares favorably to two other closely related gilt bronze figures
           of Amitayus from the Zanabazar school: one preserved in The Fine Arts Zanabazar
           Museum, Ulaanbaatar, with very similar facial and body types, treatments of crown
           and hair, and almost identical base (HAR 50243); the other from the Collection of
           Altangerel Ayurzana, depicting the deity holding a similarly-designed, long-life vase
           wrapped in a piece of decorative textile with evenly arranged folds (see Ayurzana,
           Treasures of Mongolian Art, 2005, pp.38-9). Also see a Zanabazar-style gilt bronze
           Shadakshari with similar double-layered necklace design held in The Fine Arts
           Zanabazar Museum, Ulaanbaatar (HAR 81407).

           Provenance
           Ex-Collection of A. S. Mochin, a former Soviet architect




























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