Page 58 - Mounted Oriental Porcelain, The Getty Museum
P. 58

J.  L I D D E D   B O W L





                       THE  PORCELAIN:  Chinese (Kangxi), 1662-1722, and Japanese (Arita), circa  1660
                                      THE  SILVER  MOUNTS:  French  (Paris), 1722-27
                                   HEIGHT:  8 in. (20.3  cm); DIAMETER:  9%  in.  (25.1 cm)
                                                        87.01.4





            DESCRIPTION
            The circular lidded bowl is composed of three pieces
        of porcelain mounted with  silver. The  body is potted  in
        a fine light gray clay and  covered with  a white glaze.
            The  white  porcelain  is painted  with  cinnabar-red
        overglaze enamel and  gilded. The  circular piece of por-
        celain  forming the  top  of the  lid  is divided into  sixteen
        panels  that  are  alternatively painted  with  flowers  and
        grasses  (fig. 7A). The  underside  is painted  in red, green,
        brown,  and  yellow with  a flowering branch.  It is encir-
        cled  by  a  green  band  inside  a  band  of  alternating sec-
        tions  of trellis pattern  and  cloud collars (fig. 75).
            The main body of the  lid is painted with  the  lower
        remains  of  a  band  of  banana  plant.  Below,  a  band  of
        "tortoiseshell"  pattern  is  punctuated  at  the  cardinal
        points with four of the eight "precious things": the pearl,
        the mirror, the artemesia leaf, and the musical stone.
            A cloud  collar  design is painted  around  the  shoul-  FIG.  7 A
        der  of the  bowl  with  the  scrolling  stems,  leaves,  buds,
        and  flowers of  a  stylized chrysanthemum.  Floral vines
        are  painted  at  the  cardinal  points  on  the  open  field  MARKS
        of  the  belly.                                          The  painter's  mark  of  two  concentric  circles  are
            The  bowl  is mounted  with  silver  around  the  foot  painted in underglaze blue on the underside of the  bowl.
        and lip and on the lid around the rim and the top. The lid  Each silver mount is stamped with a dove (the Pari
        is surmounted  by a  silver finial that  takes the  form  of a  discharge  mark  for  small  silver  works  used  between
        berry cluster in a six-leaf cup on a flat round base. It is se-  May  6, 1722, and September 2, 1727, under the  fermier
        cured to the lid with  a threaded  bolt  and a  four-petaled  Charles Cordier) (fig. jc}.
        nut.  The  silver rim  on  the  lip of the  bowl  is punctuated
        with  four flanges that  repeat the  shape of the cloud col-  COMMENTARY
        lar they overlay. The foot  mount  has a gadrooned  band  The  central  section  of the  lid  has  been cracked  in
        at its  center.                                      five places  and  the  outer  section  of the  lid in one  place.
                                                                 This type of cinnabar-red painted overglaze enamel
                                                             decoration  came  into  use  during  the  Ming  dynasty
                                                             (1388-1644).  Vessels  decorated  in  this  manner  were








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